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Frédéric Chopin

Tuesday, February 21, 2017


My Classical Notes

February 10

Pollini Plays Chopin

My Classical NotesHere is a new recording you might enjoy: Chopin: Late Works Chopin: Barcarolle in F sharp major, Op. 60 Mazurkas (3), Op. 59 Polonaise No. 7 in A flat major, Op. 61 ‘Polonaise-fantaisie’ Two Nocturnes Op. 62 Mazurkas (3), Op. 63 Waltz No. 6 in D flat major, Op. 64 No. 1 ‘Minute Waltz’ Waltz No. 7 in C sharp minor, Op. 64 No. 2 Waltz No. 8 in A flat major, Op. 64 No. 3 Mazurka No. 49 in F minor, Op. 68 No. 4 Performed by Maurizio Pollini (piano) After winning the International Chopin Competition, Maurizio Pollini adds an important new chapter to his ongoing interpretation with some of the composer’s most famous late works. On this album, the “grand master” (BBC music magazine) interprets some of Chopin’s largescale masterpieces, including six Mazurkas and three Waltzes that he has never recorded before. “I’m in love with Chopin – his music never ceases to amaze me.” – Maurizio Pollini The Guardian wrote just two weeks ago: “It’s easy to understand why Pollini should have been drawn back to these late pieces, with their harmonic daring and structural subtleties. He gives a fascinating account of the Barcarolle, austere and detached, but also intensely focused.” Here is Mr. Pollini performing the wonderful Nocturne number 8 by Chopin:

Arioso7's Blog

February 19

World Piano Competition Winner, Marianna Prjevalskaya shares thoughts about Recording

A pianist’s stunning win at a Major Competition held in Cincinnati reverberated through the international music cosmos with a singular, attached recording opportunity. The first place winner, Marianna Prjevalskaya, who had already put herself on the map as a globe-trotting recitalist of major import, added to her list of kudos with a notable recording of Rachmaninoff’s two sets of Variations. (Her previous disc release on Naxos, 2012, contains the works of Haydn, Scarlatti, Schumann and Zarate.) Prjevalskaya’s most recent, Rachmaninoff-centered CD comes with an added perk of the pianist’s own inserted Program Notes that shed light on the form, structure, and musical essence of the two epic sets of Variations based on themes of Chopin, and Corelli. Put in clear historical context, these Notes are a reflection of the performer’s dedication to communicating the composer’s intent through her well-conceived artistic lens. Recently, I framed a set of interview questions around the pianist’s recording experience in Cincinnati, and how it compared to LIVE music-making. 1) You took on a great challenge when you decided to record two monumental sets of Variations composed by Rachmaninoff. How and why did you decide to select these particular works for a CD that was produced as part your first prize award in the World Piano Competition? M.P. I have always felt that very special relationship with Rachmaninoff’s music. I should probably say that his music for me is like breathing, it is very natural, and at the same time so genuine. I was about 18 years old when I first heard Variations on a Theme of Chopin. I was still a student in London, and I remember it left a tremendous impression on me. It was probably, at least at that time, one of the most beautiful compositions by Rachmaninoff I had ever heard. Instantly, I fell in love with the piece, and immediately started working on it. Some years later I performed it in major cities in Italy and in Salzburg in the big hall of the Mozarteum. After this tour, I decided to set it aside, but a few years later I realized it was a piece I would always return to. When I found out I would be recording a CD as winner of the Cincinnati World Piano Competition, I firmly knew I would record this set of Variations. The question was, what else would go together with it? As it happened, at this time I was working on Variations on a Theme by Corelli. Obviously, it was perfect timing. 
 
 2) How would you compare the recording experience to presenting a LIVE recital? Incidentally, in this regard, Pletnev and Perahia have both weighed in negatively about recording. Pletnev likens a disc revisit to perceiving his ugly reflection in the mirror. Murray Perahia expresses similar disdain for an interpretation that’s fixed in time and inalterable. He insists he would play nearly everything he’s previously recorded in a new and novel way, not stratified by CD and Mp4 technology. 
 Do you possess some of the same feelings about the recording process? M.P. Yes, I would strongly agree with Perahia. Whenever I made a recording and would listen to it some months later, I would always feel that now I would play that passage differently! Or I would think: “Why haven’t I taken time here or there?” And the feeling would be quite unbearable because you can’t change it. It’s there forever! In a live recital it is different, you share your interpretation of the score in the moment and then you’re finished–it is gone! It was your honest and spontaneous interpretation, and you do not have the option of going back to redo it to the level you are satisfied. Performing on stage is creating in the moment, and that is what I love about a live recital. Recording, however, nowadays is different than what it was before. You cannot release a CD with wrong notes. We live in an age when everybody is obsessed with very clean playing, and that obsession is very stressful and unnatural, in my opinion. 3) How is preparation for recording different from that which applies to giving a recital? Is your concentration interrupted by retakes? Did you have more than one day to record nearly 52 minutes of music? M.P. I had several days to record, but surprisingly we finished a bit earlier. Yes, I do think the concentration is often interrupted, and sometimes it feels like you cannot get into the right mood after repeating the same section several times. I also think that preparation for a recording is somewhat different. In my experience, I realized that some ideas that worked on stage in concert did not work for a CD. On a few occasions, I changed my interpretation of a certain passage or section after listening to my first take. This happens because very often what your ears hear is not what comes out in a recording, and you need to have a certain flexibility to adjust your interpretation accordingly. 
 4) Were there any big or unexpected surprises within the recording environment? M.P. No, I don’t remember anything unexpected or surprising. I should say everything went very smoothly. I will be always immensely grateful to my team – producer, Elaine Martone and recording engineer, Chelsea Crutcher who made it a fantastic experience. I was greatly supported throughout our sessions together, and had the freedom I needed. 
 5) How do you adjust to a contrived, techno-supported setting without an audience to communicate with? (except for the producer and recording engineer) M.P. For me it is similar to practicing in a room without an audience. When I practice, I dive deeply into music. I don’t care if there’s an audience or not, so that was never an issue, or at least that is what I think and how I felt. What is important for me is to maintain strong concentration for many hours. Nevertheless, I am pretty sure that if these works were recorded live, my performance would be different. 
 6) How did you select your piano? Did you have a choice of instruments to try before embarking upon this undertaking? M.P. It was a Steinway grand that I had performed on during the Cincinnati Competition. I remember this piano pretty well and I liked it, so I was happy that it was available for the recording sessions. 
 7) I noted that you have a Naxos disc (2012) that was a maiden solo recording venture. You recorded the works of Haydn, Scarlatti, Schumann and Zarate. How did this particular experience compare to the more recent one. M.P. It was definitely a very different experience. The disc was recorded in Jaen Music Conservatory. They had a wonderful Steinway and a beautiful concert hall with fabulous acoustics, however the team did not give me sufficient time to record all those works, and it was quite a stressful experience, to be honest. The fun part was that I was told the bells of the church next door would ring on every hour, and I had to manage to record between their ringing. In the end, it was not an issue, because eventually the bells were not heard, but I thought it was quite an unusual setting. 
 8) What is your overall preference: to record or present LIVE recitals? And why? M.P. Of course, my preference would be presenting live recitals, because it is less stressful, and much more natural, and I can communicate with my audience, something that is really important for me. Being on stage is a very special feeling that cannot be experienced during a recording session even if you record on stage and not in a studio. But I also want to have good quality recordings published; so far, I have three, including Naxos CD released in 2012 and another album with works for violin and piano by Spanish Romantic composers that was released many years ago, in 2002. 
 9) I admired the detailed Program Notes you prepared which help the listener navigate through the many variations in each set. You have a thorough understanding of the music from a theoretical, harmonic, and structural dimension, and you’ve included historical context. 
 Did you approach the initial study of these variations with framing perspectives that you reveal in your commentary? M.P. I would say yes and no. There were many things I discovered while working on the Variations. It is like a two-way street, you discover from learning, and you also apply your knowledge while working on the piece. I also think that when I was younger I did not appreciate this music in the same way as I do now, and as I mentioned earlier, I started working on Variations on a Theme of Chopin for the very first time when I was much younger. I don’t think I perceived the structure in the same way, and I also did not work on Corelli at that time in order to realize how different these works are and how his language developed throughout thirty years. 10) The Variations seem to be well-ripened. Did your mother (your first teacher) mentor you on these variations, or were there other formidable teachers who did? M.P. I had a chance to learn Variations on a Theme of Chopin with Alexander Toradze, and Corelli with Boris Slutsky. I am tremendously grateful for their time, their help, advice and inspiration. I also always play for my mother, and of course she had put her seeds into these works too. 11) What are your plans for the future as far as balancing LIVE recitals with recording? M.P. Making recordings is not something I do very often, so most likely I will concentrate on performing concerts, and hopefully there will be another CD coming in the near future, I definitely have many ideas about what would be my next recording project. 12) How does your teaching expand your musical understanding, especially when you might be working with advanced piano students on this music? M.P. When I teach, my concentration primarily is to expand a student’s musical understanding by sharing with them my knowledge and my experiences. We explore together the musical score and discover the treasures. It’s a mutual collaboration that works for them as well as for me. 13) Have you given any Masterclasses on these two sets of Rachmaninoff Variations, and do you plan any in the future? M.P. Not yet, and if I do, that will be dangerous I am afraid of teaching pieces that have grown deeply in my heart. Thank you, Marianna, for your generous time and thoughtful answers. *** Samples of Prjevalskaya’s exquisite performances at the International Chopin Piano Competition in Poland. (2010) Links: The Pianist’s Website http://www.prjevalskaya.com/index.html My previous Word Press postings about the artist: https://arioso7.wordpress.com/2014/07/03/awe-inspiring-playing-at-the-alaska-international-piano-e-competition/ https://arioso7.wordpress.com/2014/08/12/prjevalskaya-soars-as-a-world-wide-pianist/ https://arioso7.wordpress.com/2015/02/02/a-big-new-york-debut-recital-for-pianist-marianna-prjevalskaya/ *** RECORDINGS with the performer as soloist https://www.amazon.com/dp/B01G7QZVFO/ref=cm_sw_r_cp_api_hcnQybY0W8X3H *** https://www.amazon.com/dp/B008DWFZVQ/ref=cm_sw_r_cp_api_2cnQybWADXQEM




Meeting in Music

February 17

Recent updates to previously posted music

02/18/17 Schoenberg Piano Music +1DDL Complete set by Pina Napolitano (2012) 02/16/17 Debussy #4 +2CDs Etudes by Garrick Ohlsson, both the 1988 and the 2013 recordings 02/11/17 Prokofiev #1 +1CD 2nd Piano Concerto + Tchakovsky's 1st by Beatrice Rana & Antonio Pappano in Rome 02/1/17 Musique Française #3 +1CD Rameau & Royer's Pièces de clavecin by Jean Rondeau ('Vertigo') (2015) 01/28/17 Rare Grooves #2 +1LP Schubert's Symphonies Nos. 5 & 8 by Böhm in Vienna (1982) (a transfer by Enrico B.) 01/28/17 Rare Grooves #2 +1LP Haydn's Symphonies Nos. 29, 30, 31 by Dorati in Budapest (1975) (a transfer by Enrico B.) 01/21/17 Summer Nights #3 +1CD Mendelssohn's 3rd & 4th Sym. by Heras-Casado in Freiburg (2015) (a rip by Enrico B.) 01/21/17 Summer Nights #3 +1LP Mendelssohn's 1st & 2nd Sym. by Sawallisch in London (1967) (a transfer by Enrico B.) 01/19/17 Murray playing Bach Organ Works New links in the posting 01/18/17 Musique Française #2 +1DDL Respighi's Fountains & Pines of Rome, The Birds by Louis Lane in Atlanta (1985) 01/11/17 Debussy #3 +1DDL Jeux & Images pour Orchestre by Tilson Thomas in San Francisco (2014) 01/10/17 Musique Française #2 +1CD Saint-Saens' 1st Cello Concerto by Tortelier & Frémaux in Birmingham (1974) 01/03/17 Summer Nights #10 +1CD Elgar's Cello Concerto by Paul Tortelier & Charles Groves in London (1988) 12/29/16 Goodbye 2015 +1CD Monteverdi's Selva morale e spirituale by William Christie (1987) 12/26/16 Musique Française #3 +1CD set Berlioz's L'enfance du Christ by C. Davis in London (1976) (a rip by Enrico B.) 12/19/16 Wintery Romantics +1CD Tchaikovsky's 'Pathétique' Symphony by Giuseppe Sinopoli in London (1989) 12/16/16 Summer Nights #11 +1CD Gesualdo's Tenebrae responsories by the BBC Singers & Bo Holten (2004) 12/16/16 Summer Nights #10 +1CD set Byrd and Taverner: Masses, by David Willcocks in Cambridge (1963) 12/12/16 Schubert #1 +1CD Sonata D.894 & Impromptus D.899 by Daniel Levy in London (1997) 12/11/16 Summer Nights #9 +1CD Volkmann's Cello Concerto & Serenades by H. Karni & M. Pommer (Hamburg 1997) 12/9/16 Mozart: Nachtmusik Added missing track #9 (+New cue file and log) 12/5/16 Stravinsky #2 +1DVD Petrushka + Blacher's Paganini Variations by Zubin Mehta in Florence 1995 12/5/16 Opera Favourites #3 +1DVD Verdi: 4 Pezzi Sacri by Claudio Abbado in Stockholm 1998 (+ Debussy's Nocturnes) 12/3/16 Second Viennese School Ess.ls #4 +1CD Schoenberg's Pelleas + Variations Op. 31 by Zubin Mehta in Tel Aviv 12/3/16 In the Name of Music +1CD Orff's Carmina Burana by James Levine in Chicago (1984) (a rip by Cunctator) 11/29/16 Summer Nights #2 +1CD Korngold's Piano Music by Ingrid Jacoby (1998) 11/29/16 Wintery Romantics +1CD Grieg & Schumann, Piano Concertos by Ingrid Jacoby in London (2005) 11/21/16 Poulenc +1CD Motets, 7 Chansons, Mass, Figure humaine by the Grex Vocalis choral ensemble (1999) 11/18/16 Musique Française #1 +1 CD Ravel Tombeau, Fauré Masques & Pavane by the Orpheus Chamber Orch. (1995) 11/18/16 Musique Française #3 +1CD set Ravel's piano music by Jacques Rouvier (1974) 11/15/16 Prokofiev #1 +1CD Concertos Nos. 1 & 3 with Gary Graffman & George Szell in Cleveland (1966) 11/15/16 In the Name of Music +1CD Orff's Carmina Burana by Richard Hickox in London (1987) 11/14/16 American Classics +1CD Ives & Creston's Symphonies no. 2 by Neeme Neeme Järvi in Detroit (1995) 11/13/16 Shostakovich #2 +1CD Suites from 'The Gadfly' and 'Pirogov' film scores by José Serebrier (1987) 11/13/16 Shostakovich #1 +1CD Semyon Bychkov's 5th in Berlin (1986) now from original CD 11/11/16 The Odd Couple +1CD Mozart Concerto No. 13 + Beethoven's 'Eroica' by Barenboim in Versailles (1997) 11/11/16 The Odd Couple #2 +1CD Mozart's Requiem by Riccardo Muti in Berlin (1987) 11/8/16 Rachmaninov #2 +1DVD Rip Concerto no. 3 with Giorgia Tomassi in Tel Aviv (1992) 11/8/16 The Long Goodbye +1CD Mozart & Weber's Clarinet Quintets by Eduard Brunner & the Hagen Quartett (1987) 11/7/16 Summer Nights #1 +1CD Korngold & Schmidt Chamber Music with Piano Left Hand by Leon Fleisher (1993) 11/4/16 Mahler Lieder +1CD Fischer-Dieskau's Gesellen & Kindertoten + Wolf's Lieder in the 50s (a rip by Corrado D.) 11/4/16 Wintery Romantics +1CD Dvorak Cello Concerto & Tchaikovsky's Rococo' by Christine Walevska (1971) 11/3/16 Rare Grooves #2 +LP set Vivaldi's Il Cimento Op. 8 by I Musici and Felix Ayo (1959) (a transfer by Enrico B.) 11/1/16 Summer Nights #11 +1CD Chinese Ancient Classical Music by Xiaming (2001) 11/1/16 Debussy #4 +1CD Etudes, Images oubliées, Estampes, Suite Bergamasque by Roger Woodward (1997) 11/1/16 American Classics +1CD Copland's Piano Works (Blues, Sonata, Rodeo, Salon) by Eugenie Russo (1995) 11/1/16 American Classics +1CD Copland's Tender Land & Red Pony Suites by James Sedares in Phoenix (1991) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & The Firebird Suite by James DePreist in Portland (2000) 11/1/16 Stravinsky #2 +1CD The Rite of Spring & Apollo by Jaap van Zweden in Hilversum (2006) 10/17/16 Mahler Lieder +1CD Wyn Morris 1966 Des Knaben Wunderhorn (J. Baker & G. Evans) (a rip by Leroy V) 10/12/16 Musique Française #2 +1CD Debussy, Ravel, Poulenc, Saint-Saens: Violin Sonatas by Kang & Devoyon (2003) 10/11/16 Darmstadt #4 +1CD Carter's Piano & Cello Sonatas + works by Del Tredici, Helps & Persichetti 10/11/16 Brahms Piano & Chamber Gems +1CD Clarinet & String Quintets by D. Shifrin and Chamber Music N-W 10/11/16 Darmstadt #3 +1CD Boulez's Structures for 2 Pianos by the Kontarsky Duo (1965) 10/8/16 Spanish School #2 +1CD set Albeniz's Iberia by Olivier Chauzu (2008) 10/4/16 Strauss #3 +1CD Oboe Concerto by Douglas Boyd & Paavo Berglund (1986) (+ Mozart's K. 314) 10/4/16 Strauss #3 +1CD set Heldenleben & Zarathustra with Zubin Mehta in L.A. (1968) (a rip by Dante B.) 10/3/16 Bartok #5 +1CD The wooden Prince & Hungarian Pictures by Neeme Jarvi in London (1990) 10/3/16 Bartok #5 +1CD The wooden Prince & Dance Suite by Ivan Fischer in Budapest (1996) 10/1/16 Haydn Quartets Op. 9 New links added for the original release from the 1990's. Disc scans and inside cover scans are included in the new scans link. Scroll to the bottom of the comments section for the new links. 9/22/16 Prokofiev #1 +1DVD Romeo & Juliet: Royal Ballet Covent Garden, Alessandra Ferri & Wayne Eagling (1984) 9/21/16 Prokofiev #2 +1CD 1st Symphony, Love for 3 Oranges & Lieutenant Kijé by Lorin Maazel in Paris (1985) 9/21/16 Prokofiev #2 +5CDs 5th Symphony by: Y. Levi, V. Handley, Y. Temirkanov, J. Martinon & G. Noseda 9/20/16 Prokofiev #1 +3CDs Romeo & Juliet (Excerpts) by Claudio Abbado, Claus Peter Flor & Yoel Levi 9/20/16 Prokofiev #1 +1CD set Cinderella complete ballet by Vladimir Ashkenazy in Cleveland (1983) 9/20/16 Prokofiev #1 +1CD set Romeo & Juliet complete ballet by Valery Gergiev in St. Petersburg (1990) 9/20/16 Prokofiev #1 +2 CDs Alexander Nevsky & Scythian Suite by Valery Gergiev (2002) & Neeme Jarvi (1988) 9/14/16 Spanish School #2 +1CD Spanish & Argentine Flamencos played by Paco Peña & Eduardo Falú (1989) 9/14/16 Spanish School #2 +1CD Montoya & Ricardo: Flamencos, played by Paco Peña (1987) 9/13/16 Spanish School #3 +1CD Spanish 20th Century Guitar Works by Agustin Maruri (1995) 9/13/16 Spanish School #1 +1CD Guitar Music of Ponce, Piazzolla, Barrios played by Manuel Barrueco (1997) 9/12/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1980) 9/12/16 Rachmaninov #2 +3CDs Piano Concertos & Paganini Rhapsody by T. Vasary & Y. Ahronovitch (a rip by Dante B.) 9/12/16 Bruckner +1CD set Symphony No. 8 by Giulini in Vienna 1985 (a rip by Dante B.) 9/10/16 Summer Nights #11 +1CD Vivaldi's Le Quattro Stagioni by Gil Shaham & the Orpheus C.O. (1993) 9/10/16 Wintery Romantics +1CD Smetana's Ma Vlast by Vaclav Talich in Prague (1954) (a rip by Corrado D.) 9/10/16 Prokofiev #1 +1CD 1st Violin Sonata (+ Debussy & Janacek) by V. Mullova & P. Anderszewski (1994) 9/10/16 Prokofiev #1 +1CD The War Sonatas by Vladimir Ashkenazy (1995) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Tchaikovsky's 1st by Noriko Ogawa & Gennady Rozhdestvensky (1989) 9/10/16 Prokofiev #1 +1 CD set The 5 Piano Concertos by Vladimir Krainev & Dmitri Kitaenko in Frankfurt (1992) 9/10/16 Prokofiev #1 +1CD set 3rd & 5th Concertos (+ Schumann's and Liszt's) by Samson François (1958-1961) 9/10/16 Prokofiev #1 +1CD 3rd Concerto & Ravel's left Hand Concerto by John Browning & Erich Leinsdorf (1960) 9/8/16 Schumann +1CD Papillons, Piano Quintet, Fantasiestücke Op. 73 with Jonathan Biss, Jerusalem Q., Martin Fröst 9/8/16 Summer Nights #11 +1CD Domenico Scarlatti's Keyboard Sonatas by Marcela Roggeri (Piano) (2004) 9/8/16 Rachmaninov #1 +1CD Symphony No. 1 by Mariss Jansons in St. Petersburg (1999) (a rip by Corrado D.) 8/29/16 Schumann +1CD Margaret Price's Frauenlieben und Leben (1981) 8/14/16 The Long Goodbye +1CD Beethoven & Mozart's Wind Quintets by Alfred Brendel & Soloists (1986)8/14/16 The Long Goodbye +1LP Beethoven's 7th Symphony by Karl Böhm (1958) (a transfer by Enrico B.) 8/14/16 Summer Nights #11 +1CD Pergolesi Stabat Mater by Claudio Abbado (1985)8/14/16 Summer Nights #11 +1CD Mozart's 3rd & 5th Violin Concertos by Isabelle van Keulen (1989)8/14/16 Summer Nights #11 +1CD Mozart Piano Sonatas by Daria van den Bercken (2014) 8/5/16 Summer Nights #7 +1CD Mendelssohn's String Quintets at the Marlboro Festival 1990 (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias by Wolfgang Sawallisch (a rip by Corrado D.) 8/5/16 In the Name of Music +1CD set Mendelssohn's Elias & Paulus Oratorios by Helmut Rilling (a rip by Dante B.) 7/19/16 Mahler 7 +1CD Gianandrea Noseda in Manchester (2010) (a rip by Corrado D.) 7/19/16 American Classics +1CD Barber's Sonata (+ Berg's Op. 1 & Beethoven's Op. 126) by Ashley Wass 7/19/16 Wintery Romantics +1CD Gubaidulina: The Piano Music by Marcela Roggeri (2007) 7/18/16 Summer Nights #6 +1CD Frederica von Stade's Haydn, Mozart, Rossini solo album (1975) w/ de Waart & Dorati  7/18/16 Musique Française #2 +1CD set J-P. Rameau's Zais by Christophe Rousset (2014) 7/16/16 Summer Nights #4 +1CD set Beethoven's 4th Concerto (+ Chopin's 2nd & Schumann's) by Guiomar Novaes 7/16/16 Summer Nights #4 +1LP Beethoven's Violin Concerto by H. Szeryng & B. Haitink (a transfer by Enrico B.) 7/16/16 Summer Nights #4 +1CD Beethoven's Violin Concerto by Anne-Sophie Mutter & Kurt Masur in NYC (2002) 7/16/16 Summer Nights #4 +1CD Beethoven's Quartets Nos. 9 & 14 by the Quartetto Italiano (1969) 7/16/16 Summer Nights #4 +1CD Beethoven's 4th Concerto by Lang Lang & Christoph Eschenbach in Paris (2007) 7/13/16 Summer Nights #12 +1CD Guastavino's Songs by Florent Héau (Clarinet) with Marcela Roggeri, Piano (2008) 7/11/16 Opera Favourites #2 +1DVD Puccini's Il Tabarro & Leoncavallo's Pagliacci by James Levine (1994) 7/11/16 Messiaen +1CD La fauvette passerinette & other piano pieces by Peter Hill (2014) 7/11/16 Musique Française #1 +1CD Lalo's complete Piano Trios by the Trio Parnassus (1992) (a rip by Corrado D.) 7/11/16 Musique Française #1 +1CD set Bizet's complete Orchestral Music by Enrique Batiz (1988) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Saint-Saens's Symphonies Nos. 1 & 2 by G. Pretre (1991) (a rip by Corrado D.) 7/9/16 Musique Française #2 +1CD Satie, Piano Music (including most Gnossiennes) by Marcela Roggeri (2005) 7/5/16 Opera Favourites #1 +1CD set, Rossini's L'italiana in Algeri by Claudio Abbado in Vienna (1987) 7/5/16 Opera Favourites #1 +2CD sets, Bellini's Norma (J. Levine 1979) & I Capuleti e i Montecchi (R. Muti 1984) 7/5/16 Bach +1CD Cantatas for Counter-Tenor (BWV 170, 54, 35) by A. Scholl & P. Herreweghe (a rip by Corrado D.) 7/5/16 Summer Nights #10 +1CD 'Nocturne' (Selected Lieder) by Rupert Charlesworth & Edwige Herchenroder (2014) 7/4/16 In the Name of Music +1CD set Liszt's Christus oratorio by Helmuth Rilling (1997) (a rip by Dante B.) 7/2/16 Summer Nights #7 +1CD Brahms' Trio Op. 8 & Beethoven's 'Archduke': V. Mullova, H. Schiff & A. Previn (1993) 7/2/16 Summer Nights #7 +1LP Brahms' Violin Concerto by Henryk Szeryng & Bernard Haitink (a transfer by Enrico B.) 7/2/16 Bach 1CD set The well Tempered Clavier by Sergey Schepkin (1998-9) ( a rip by Corrado D.) 7/2/16 Bach +1CD The Art of Fugue by the Keller Quartett (1998) (a rip by Corrado D.) 7/2/16 Bach +1CD Cantatas BWV 4, 56, 82 with Dietrich Fischer-Dieskau (1951-2-3) (a rip by Corrado D.) 7/2/16 Bach +1CD Goldberg Variations (Arr. for String Trio by Bruno Giuranna), Trio Broz (2008) (a rip by Corrado D.) 6/28/16 Bach +1CD set The well Tempered Clavier by Samuel Feinberg (1959) (a rip by Corrado D.)6/28/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Salvatore Accardo (1976) (a rip by Corrado D.)6/28/16 Bach +1CD set The Art of Fugue by Grigory Sokolov (2008) (a rip by Corrado D.)6/28/16 Bach +1CD set Brandenburg Concertos by the Akademie für Alte Musik Berlin (2007) (a rip by Corrado D.) 6/27/16 Musique Française #2 +1CD Fauré, Chausson, Saint-Saens, Massenet by K. Deshayes & Ensemble Contraste 6/27/16 Musique Française #2 +2CDs Chausson Concert (Accardo) & Symphony (Ansermet) (rips by Corrado D.) 6/26/16 Musique Française #1 +1CD set Songs by Ravel, Fauré, Poulenc etc. by G. Souzay (a rip by Corrado D.) 6/26/16 Musique Française #3 +1CD Ravel's Piano Music by Vlado Perlemuter (1955 recordings) 6/26/16 Musique Française #3 +1LP Ravel's Daphnis et Chloé Suites by Willem van Otterloo in The Hague (1956) 6/26/16 Mahler 3 +1CD set Michael Tilson Thomas and the LSO, 1990 (with Janet Baker + Rückert-Lieder) 6/23/16 Schubert #2 +1CD set the Late String Quartets by the Quartetto Italiano (1965-1976-1977) 6/23/16 Schubert #1 +1CD Impromptus Op. 90 + Bach's Partitas Nos. 1 & 2 by Simone Dinnerstein (2011) 6/23/16 Schubert #3 +1CD Winterreise by Cristoph Prégardien & Andreas Staier (1998) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Winterreise by Anton & Hilda Dermota (1963) (a rip by Corrado D.) 6/23/16 Schubert #3 +1CD Schwanengesang by Wolfgang Holzmair & Imogen Cooper (1994) (a rip by Corrado D.) 6/21/16 Bach +1CD The Musical Offering by the Accademia Bizantina and Carlo Chiarappa (1991) 6/21/16 Bach +1CD set The Cello Suites in Mischa Maisky's first recording (1985) 6/21/16 Bach +1CD The Art of Fugue by Ramin Bahrami (2006) 6/21/16 Bach 2CD sets The well Tempered Clavier Books 1 & 2 by Daniel Barenboim (2003-2005) 6/21/16 Schumann +1CD set Kreisleriana by Imogen Cooper + V.A. at the Festival de Valloires 2006 6/19/16 Strauss Operas #2 +1DVD Der Rosenkavalier by John Neschling in Palermo (2004) 6/19/16 Strauss #3 +1CD set Wind Sonatinas, Suite & Serenade by the Royal Academy Wind Ensemble (2006) 6/19/16 Strauss #2 +1CD Music from the Operas by Jeffrey Tate in Rotterdam (1992) 6/19/16 Strauss #1 +1CD Metamorphosen, Don Juan & Lieder by Joan Rodgers & Jan Latham-Koenig (2001) 6/19/16 Strauss #1 +1CD set Lieder by Edita Gruberova & Friedrich Haider (1990) 6/16/16 Musique Française #1 +1CD Fauré's 1st Piano Quartet & Trio by the Beaux Arts Trio (1988) (a rip by Dante B.) 6/16/16 Summer Nights #5 +1CD Berlioz's Symphonies fantastique by James Levine (1991) (a rip by Enrico B.) 6/16/16 Bach +1CD set Sonatas & Partitas for Solo Violin by Stefan Milenkovich (1997) (a rip by Corrado D.) 6/16/16 Bach +1CD set Brandenburg Concertos by Giardino Armonico & Giovanni Antonini (1997) (a rip by Corrado D.) 6/13/16 In the Name of Music +1CD Orff's Carmina Burana by Franz Welser-Möst in London (1989) 6/13/16 In the Name of Music +1 CD set Mendelssohn's Paulus by Kurt Masur with Theo Adam (a rip by Corrado D.) 6/13/16 Mahler Lieder +1CD Fischer-Dieskau's classic EMI recordings of the major Lieder sets (a rip by Corrado D.) 6/13/16 Musique Française #1 +1CD Frank Martin's Piano Concertos & Ballade by J-F. Antonioli & M. Viotti (1985) 6/10/16 Burgmüller Songs & Sonata Replaced rip which was missing two tracks. The new link is complete. 6/10/16 Bach +1CD set Goldberg Variations & the Partitas by Karl Richter (1958-60) (a rip by Corrado D,) 6/8/16 Summer Nights #10 +1CD Elgar's 2nd Symphony + In the South Ov. with Andrew Davis (1992) 6/8/16 Bach +1CD set The Partitas for Keyboard by Richard Goode (Piano) (2002-2003) (a rip by Corrado D,) 6/8/16 Bach +1CD set The Cello Suites by Mario Brunello (1994) (a rip by Corrado D.) 6/5/16 Summer Nights #11 +1CD A. Caldara's & A. Lingua's Cantate by Recitarcantando Urbino (2009) 6/5/16 Summer Nights #11 +1CD F.M. Stiava's Vespri di Santa Cecilia by Federico Bardazzi in Florence (2008) 6/5/16 Summer Nights #11 +1CD G. Carissimi's Historia di Job, Vanitas Vanitatum by Federico Bardazzi in Florence (2005) 6/5/16 Summer Nights #11 +1CD H. von Bingen's O Orzchis Ecclesia by Federico Bardazzi in Florence (2007) 6/3/16 Gershwin +1CD Rhapsody in Blue, An American in Paris, Cuban Ov. by Lorin Maazel in Cleveland (1975) 6/3/16 American Classics +1CD MacDowell's Piano Concertos by Donna Amato & Paul Freeman in London (1985) 6/3/16 Odd Couple #2 +1CD Chopin's 3rd Sonata by Felipe Browne in London (1999) 6/3/16 Bach +1CD Goldberg Variations by Bruno Canino (1993) (a rip by Corrado D.) 6/2/16 Wintery Romantics +1CD set Janáček's Piano Music by Håkon Austbø (2004)6/2/16 Bach +1CD Goldberg Variations by Jörg Demus (1989) 6/1/16 Schumann +1CD set Dichterliebe by M. Padmore & I. Cooper + V.A. at the Festival de Valloires 2007 6/1/16 Summer Nights #2 +1CD Yehuda - Jewish Music from the Seraglio, L'Orient Imaginaire, V. Ivanoff (1996) 5/31/16 Summer Nights #9 +1CD Dvorak's New World Symphony by Riccardo Chailly in Amsterdam (1987) 5/31/16 Summer Nights #9 +1CD Franck's Symphony by Tadaaki Otaka (1999) (a rip by Corrado D.) 5/31/16 Summer Nights #9 +1CDs Franck's & Saint-Saens' Symphonies by Antonio de Almeida in Moscow (1993) 5/29/16 Debussy #2 +1CD Mélodies by Barbara Hendricks & Michel Béroff (1985) 5/29/16 Rachmaninov #1 +1CD Cello Sonata (+ Strauss') bt Werner Thomas & Carmen Piazzini (1987) 5/27/16 Rare grooves #2 +1LP Mendelssohn's 4th Sym. 'Italian' by Colin Davis in Boston (1976) (a transfer by Enrico B.) 5/24/16 Medieval Music: New links 5/24/16 Debussy #6 +1CD String Quartet (+ Brahms's Op. 51/1) by the Ceruti Quartet (2008) 5/24/16 Debussy #5 +1CD Images & other piano pieces by Zoltan Kocsis (1988) 5/24/16 Debussy #5 1CD set Préludes & Etudes by Georges Pludermacher (2003) 5/21/16 Debussy #2 +1CD set The complete Mélodies with Ameling, von Stade, Command, Mesplé & Souzay 5/21/16 Debussy #2 +3CDs Mélodies by Christopher Maltman, Véronique Gens and Gérard Souzay 5/19/16 Debussy #5 +1CD Estampes, Pour le piano, Suite bergamasque etc. by Bruno Canino (a rip by Corrado D.) 5/19/16 Debussy #3 +1CD La mer, Préludes & Nocturnes by Jean Martinon in Paris (1974) 5/19/16 Odd Couple #2 +1Bonus, Chopin for Cello & Piano: Piatigorsky, Bonucci & Amfitheatrof (enc. by Corrado D.) 5/18/16 Debussy #6 +1CD Sonatas for Cello + Flute, Viola & Harp by Lincoln Center Chamber Music Society (2007) 5/18/16 Musique Française #2 +1CD set Ravel's Piano Music by Jean-Efflam Bavouzet (2003) (a rip by Corrado D.) 5/17/16 Musique Française #3 +1CD Ravel's Ma Mère l'Oye & Prokofiev's Cinderella by piano duo Argerich & Pletnev 5/17/16 Debussy #5 +1CD Préludes by Steven Osborne (2006) 5/17/16 Debussy #5 +1CD Préludes Book 1 & Children's Corner by Nelson Freire (2009) 5/17/16 Debussy #5 +1CD set, Préludes etc by Samson François (1970) (includes 5 Etudes) 5/17/16 Debussy #5 +1CD Images, Pour le piano & Suite bergamasque by Cécile Ousset (1986) 5/16/16 Summer Nights #8 +1CD set Brahms' Symphonies by Antal Dorati (a rip by Corrado D.) 5/16/16 Brahms +2CDs Piano Quartets by J. Demus & the Barylli + Richter & the Borodin (2nd) (rips by Corrado D,) 5/15/16 A Weimar Rhapsody +1CD Krenek Piano Sonatas Nos. 2 & 4 + G. Washington's Variations. (M. Korzhev, 2007) 5/15/16 Musique Française #1 +1CD Koechlin and Jolivet's Chamber Music with Flute (Philippe Racine, 1989) 5/13/16 Debussy #3 +1CD Jeux, Images, Prélude, Danses with Serge Baudo in Prague (1977) 5/13/16 Debussy #5 +1CD Alice Ader's rare album with Images, Estampes, Martyre de S-S, Masques etc. (1989)  5/5/16 Stravinsky #2 +1CD Sacre du printemps (+ Bartok & Boulez) by P. Boulez in Salzburg with the GMJO (1997) 5/5/16 Stravinsky #2 +1DVD Le rossignol by J. Conlon in Paris (Dessay/McLaughlin/Simcic/Urmana/Naouri) (1999) 5/5/16 Bartok #5 +1CD Miraculous Mandarin & Dance Suite by B. Maderna in Monte-Carlo (1968) (a rip by Corrado D.)5/4/16 Massenet Operas: +CD Don Quichotte at Mariinsky theater, Furlanetto/Gergiev 5/4/16 Early Music Collections: New links 5/3/16 Brahms +1CD The Quartets for Voices & Piano by the Kammerchor Stuttgart, A. Rothkopf & F. Bernius (1983)5/3/16 Brahms +1CD The String Quintets by the Hagen SQ & G. Caussé5/3/16 Brahms +1CD set The String Quartets (Italiano SQ) & Clarinet Sonatas (G. Pieterson & H. Menuhin)5/3/16 Brahms +2CDs Piano Sonata No. 3 by Lupu & String Sextets by Carmignola, Brunello etc. (rips by Corrado D.)5/3/16 Brahms +1CD Die schöne Magelone with Andreas Schmidt and Jörg Demus (1988) 5/3/16 Opera Favourites #1 +1DVD Offenbach's Les Contes d'Hoffmann by F. Chaslin in Macerata 2004 5/2/16 Summer Nights #8 +1CD set Brahms's Symphonies by B. Haitink in London (2004) 5/2/16 Summer Nights #8 +1CD Brahms's 2nd Symphony by C. Davis in Munich (1988) 5/2/16 Brahms +1CD Cello Sonatas by du Pré & Barenboim (1968) 5/2/16 Brahms +1CD Late Piano Pieces by Radu Lupu (1970) 5/2/16 Brahms +2CDs Ballades Op. 10 by Gould (1983) & Brendel (+ Weber's Grand Sonata) (1990) 5/2/16 Brahms +3CDs Piano Sonata No. 3 by Barenboim (1996), Perahia (1991), Kissin (2001) 4/27/16 Brahms +1CD/1Bonus Violin C.to: D. Oistrakh & Pedrotti (1961, rip by Corrado D.) + Fischer & Sinopoli (2000) 4/27/16 Brahms +1CD set Piano Concertos by Freire & Chailly (2006) 4/27/16 Brahms +4CDs Piano Concertos by Pollini & Abbado, Ax & Haitink, Donohoe & Svetlanov 4/27/16 Brahms +3CDs Violin Sonatas: Zukerman & Neikrug (1992), Tetzlaff & Vogt (2002), Mutter & Orkis (2010) 4/25/16 Rachmaninov #1 +3CDs the 3 Operas (Aleko, The Miserly Knight, Francesca da Rimini) by N. Järvi (1996) 4/23/16 Wintery Romantics +1Bonus Dvorak Symphony No. 7 by I. Fischer in Rome (2006) 4/23/16 Strauss #1 +1Bonus Le bourgeois gentilhomme by Christopher Hogwood in Milan (2005)  4/23/16 Rachmaninov #1 +1CD Symphony No. 1 & Isle of the Dead by M. Pletnev and the RNO (2000) 4/23/16 Rachmaninov #2 +1Bonus, 3rd Concerto by B. L. Gelber & E. Krivine in Geneva (1988) 4/23/16 Rachmaninov #2 +1CD set The Concertos in E. Wild & J. Horenstein's great recording in London (a rip by Odeon) 4/23/16 Rachmaninov #2 +3CDs Ashkenazy/Haitink; Glemser/Wit; Zilberstein/Abbado classic recordings of concertos 4/23/16 Rachmaninov #1 +2CDs Preludes by Weissenberg (1969) & 2nd Symphony by I. Fischer (2003) (rips by Sasha) 4/22/16 Schumann Piano Trio Op. 63 & Ravel's by the Trio di Bolzano (1954) (a rip by Corrado D.) 4/22/16 Prokofiev #1 +1CD set 5th Symphony by L. Maazel in Cleveland (1977) (+ Rimsky's orch. works) (a rip by Sasha) 4/22/16 Wagner's Ring +4DVDs The entire Ring des Nibelungen in J. Levine's fundamental Met production for DGG 4/21/16 Wagner's Die Walküre +1DVD the great Boulez 1980 production (Hofmann, Altmeyer, McIntyre, Jones, Schwarz) 4/20/16 Wagner's Tristan und Isolde 2DVDs Z. Mehta in Munich (1998) and J. Levine in NYC (1999) 4/20/16 Wagner's Die Meistersingers +1DVD J. Levine's 2001 release (Morris, Heppner, Mattila, Allen, Pape, Polenzani) 4/20/16 Liszt's Sonata: +1CD Peter Donohoe's 1989 recording (including Berg and Bartok's Sonatas) 4/20/16 Wintery Romantics +1CD Tchaikovsky and Dvorak: Serenade for Strings by C. Davis in Munich (1987) 4/20/16 Hindemith +1CD Reger's Clarinet Quintet & String Quartet by Karl Leister and the Vogler Quartett (1999) 4/20/16 Stravinsky #2 Apollon Musagète & Cantata by Esa-Pekka Salonen, new rip and scans available. 4/20/16 Summer Nights #8 +1CD set Brahms The Symphonies by Gustav Kuhn in Bolzano (a rip by Corrado D.) 4/19/16 Rachmaninov #1 +2CDs 2nd Symphony by S. Bychkov (1990) & Symphonic Dances by E. Batiz (1991) 4/19/16 Rachmaninov #1 +1CD 6 Choruses Op. 15 (+ Scriabin's 1st Symphony) by Valeri Polyansky (2004) 4/19/16 Rachmaninov #1 +1CD set & 1CD Preludes and Etudes-Tableaux by N. Lugansky, M. Petkova & L. McCawley 4/18/16 Wintery Romantics +6 CDs Scriabin Sonatas, Etudes, Piano Concerto, Poème de l'extase, Prometheus 4/18/16 Schubert #2 +1CD Symphony No. 9 'Great' by Daniel Barenboim in Berlin (1985) 4/18/16 Prokofiev #1 +1CD Symphonies Nos. 5 & 1 by André Previn in Los Angeles (1986) 4/17/16 Wintery Romantics +1CD Piano Trio by Perlman, Harrell, Ashkenazy (1980) 4/17/16 Wintery Romantics + 3CDs Tchaikovsky's 5th (Ormandy 1981) & 6th (Gergiev 1995), Ballet Suites by Karajan 4/17/16 Wintery Romantics +1CD Tchaikovsky's Violin Concerto by V. Mullova and S. Ozawa (+ Sibelius) (1985) 4/17/16 Wintery Romantics +1CD set Tchaikovsky's Symphonies Nos. 4, 5, 6 by Gergiev and the Vienna Philh. (2004) 4/16/15 De Fesch Concerti - Musica ad Rhenum: New links 4/15/16 Musique Française #2 +1CD Respighi's Sinfonia Drammatica by Daniel Nazareth in Bratislava (1986) 4/15/16 Stravinsky #1 +1Bonus, Oedipus Rex by Jeffrey Tate in Turin 1999 (Moser, Lipovsek, von Kannen, Kapellmann) 4/15/16 Opera Favourites #3 +1DVD Levine's Trovatore at the Met 1988 (Pavarotti, Marton, Milnes, Zajick, Wells) 4/15/16 Summer Nights #1 +1CD Erwin Schulhoff's piano works by Ulrich Urban (1993) 4/15/16 Messiaen +1CD Turangalila-Symphonie with R. Chailly (J-Y. Thibaudet, p.; T. Harada, o.M.) (a rip by Cunctator) 4/14/16 Wintery Romantics +1CD Sibelius & Nielsen, Violin Concertos, by Maxim Vengerov & Daniel Barenboim (1996) 4/14/16 Summer Nights #12 +1CD B. Walter Violin Sonata & K. Goldmark 1st Suite by P. Graffin & P. Devoyon (2000) 4/14/16 Stravinsky #2 +2CDs Petrushka by D. Zinman in Baltimore & Symphony in 3 Movs. by J. Conlon in Rotterdam 4/14/16 Stravinsky #2 +1DVD Gergiev and the Vienna Philh. in Salzburg for The Firebird (+ Prokofiev & Schnittke) 4/14/16 Strauss Great Operas #2 +1DVD Ariadne auf Naxos by Colin Davis in Dresden (2000) 4/14/16 In the Name of Music +1CD Orff's Catulli Carmina & Trionfo di Afrodite by Franz Welser-Möst (1995)4/14/16 In the Name of Music +3CDs Orff's Carmina Burana by Z. Mehta (1992), A. Previn (1993) & R. Shaw (1980) 4/14/16 Hindemith +2CDs F. Schmidt's 4th Symphony (F. Welser-Moest) and Selected Organ Works (A. Juffinger) 4/14/16 Wintery Romantics +1CD Moritz Moszkowski's piano works by Seta Tanyel (1993) 4/14/16 Shostakovich #2 +1CD Piano Sonatas Nos. 2, 3, 4 by Nikolai Miaskovsky in Lydia Jardon's recording (2007) 4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Riccardo Chailly in Amsterdam (1993) 4/13/16 Darmstadt #2 +1Bonus File: Nono's Il canto sospeso with Mario Venzago in Milan 2000 (+ Berg's Op. 6) 4/13/16 Bartok #1 +1Bonus File: Piano Concerto No. 3 with Roberto Cominati e Juraj Valcuha in Turin (2007) 4/13/16 Stravinsky #2 +1CD Esa-Pekka Salonen 1988 recording of The Firebird and Jeu de Cartes in London 4/13/16 Stravinsky #2 +2CDs Haitink's Berlin Philh. recordings of The Firebird, Scènes de Ballet & Petrushka (1988/9) 4/13/16 Summer Nights #11 +1CD Joseph Suder's Piano Concerto and piano pieces by Margarita Höhenrieder (1988) 4/13/16 Selig im Glauben (Wagner's Parsifal) +2DVD sets: Levine in NYC (1992) and Nagano in Baden-Baden (2004) 4/13/16 Debussy #6 +1CD String Quartet (+ Zemlinsky's 2nd String Quartet) by the Casals String Quartet (2004) 4/13/16 Summer Nights #2 +1CD Zemlinsky, Marx, Schreker: Lieder by Dorothy Dorow & Massimiliano Damerini (1980)4/13/16 Summer Nights #2 +1CD Zemlinsky's Psalm 23 & Symphony in B-Flat by Riccardo Chailly in Berlin (1987)4/13/16 Summer Nights #2 +1CD Zemlinsky's Lyrische Symphonie by Giuseppe Sinopoli in Vienna (1995)4/13/16 Summer Nights #2 +2CDs Zemlinsky by James Conlon (Eine florentinische Tragödie & Lyrische Symphonie) 4/13/16 Opera Favourites #2 +1DVD Puccini's La fanciulla del West by Nello Santi in London (1983) 4/13/16 Opera Favourites #2 +1DVD Puccini's La Bohème by Lamberto Gardelli in London (1982) 4/13/16 Summer Nights #5 +1CD Clemens Non Papa's Missa Pastores by the Tallis Scholars under Peter Phillips (1987) 4/13/16 Stravinsky #2 +2CDs Le sacre du printemps by B. Haitink in Berlin (1995) and M. Alsop in Baltimore (2006) 4/13/16 Stravinsky #1 +2CDs Oedipus Rex: Colin Davis' 1983 and Esa-Pekka Salonen's 1991 recordings. 4/13/16 Stravinsky #2 +2CDs Esa-Pekka Salonen for Apollo, Cantata, Concerto and Works for Piano & Orchestra (1988-90) 4/12/16 Contrappunti Italiani +1CD Scarlatti Sonatas in Ivo Pogorelich's classic 1991 recording 4/12/16 Wintery Romantics +2CDs Szymanowski's Piano Music by Marc-André Hamelin (2002) & Roland Pöntinen (2008) 4/12/16 Wintery Romantics +1CD Scharwenka's 2nd Sonata, Romanzero with Seta Tanyel (1992) 4/12/16 Wintery Romantics +1CD Rimsky-Korsakov's Scheherazade with L. Maazel and the Berlin Philh. (1985) 4/12/16 Prokofiev #2 +2CDs Piano Sonatas Nos. 1-5 and 9 & 10; Piano Sonatinas (P. Donohoe) + Cello Sonata (Wallfisch) 4/12/16 Prokofiev #1 +1CD Symphony No. 2 with Valery Gergiev and the USSR TV & Radio Symphony (1988) 4/12/16 Prokofiev #1 +1CD Alexander Nevsky with Riccardo Chailly in Cleveland (1983) 4/12/16 Prokofiev #1 +1CDs set Alexander Nevsky & Ivan the Terrible with Mstislav Rostropovich and the LSO (1991) 4/12/16 Prokofiev #1 +1CD Violin Sonatas with Erik Schumann & Henri Sigfridsson (2007) 4/12/16 Prokofiev #1 +1CD Complete works for Cello and Piano with Raphael Wallfisch & John York (1999) 4/8/16 Cello Sonatas New links 4/4/16 Schumann +1CD set The Symphonies by Gustav Kuhn and the Haydn Orchestra (2010) (a rip by Corrado D.) 4/4/16 Hindemith +1CD Reger: 4 Solo Violin Sonatas by Ulrike-Anima Mathé (1995) 4/3/16 Hindemith +1CD Reger's Clarinet Quintet by Wenzel Fuchs & the Berlin Philharmonic String Quartet (1999) 4/3/16 Hindemith +1CD set Reger's Cello Sonatas by Alban Gerhardt and Markus Becker (2008) 4/3/16 Hindemith +1CD set Reger's Complete Works for Clarinet & Piano (Ib Hausmann & Nina Tichman, 1998) 4/3/16 Hindemith +1CD Reger: 2 Violin Sonatas by H. Schneeberger & J-J. Dünki (1991) 4/3/16 Hindemith +1CD Reger's Mozart Variations (+Schumann, Weber & Naumann) by Blomstedt in Dresden (1990) 4/3/16 Hindemith +1CD Reger: 3 Solo Violin Sonatas by Ulrike-Anima Mathé (1993) 4/3/16 American Classics +1CD Korngold's Symphonic Serenade + Griffes' Roman Sketches by S. Pittau and the LSO 4/3/16 Contrappunti Italiani +1CD Busoni pieces by G. Andaloro & M. Vacatello (+Franck, Handel, Liszt, Chopin) (2005) 4/3/16 Contrappunti Italiani +1CDset Malipiero's complete String Quartets by the Orpheus String Quartet (1991) 4/3/16 Contrappunti Italiani +1CD Busoni's Turandot Suite + Casella & Martucci's orchestrals works: Riccardo Muti (1992)4/3/16 Contrappunti Italiani +1CD Busoni's Piano Concerto by Garrick Ohlsson & Christoph von Dohnányi (1989) 4/3/16 Contrappunti Italiani +2CDs Busoni's 6 Sonatinas both by Roland Pöntinen (1999) and Michele Campanella (1981) 4/3/16 Contrappunti Italiani +1CD Busoni: Elegies and Sonata by Bruce Wolosoff (rare CD 1986) 3/30/16 Schumann +1CD Alicia de Larrocha for Piano Concerto (C. Davis) + Piano Quintet (Tokyo SQ) 3/30/16 Summer Nights #8 +1CD Brahms' 1st Symphony by Sawallisch in London (1991) (a rip by Corrado) 3/29/16 Summer Nights #1 +1CD Lieder by Korngold, Schreker, Weigl & Schoenberg by S. Kimbrough & D. Baldwin 3/29/16 Mahler Das Lied von der Erde +1CD K. Sanderling 1985 recording (with P. Schreier & B. Finnilä) (a rip by Juan F.) 3/28/16 Summer Nights #8 +1CD Brahms' Symphony No. 3 with Carlo Maria Giulini in Vienna 1991 3/28/16 Strauss #2 +1DVD Giuseppe Sinopoli and the Staatskapelle Dresden: Eine Alpensinfonie (+Wagner's Rienzi Ov.) 3/26/16 Mahler Das Lied von der Erde +1DVD Semyon Bychkov in Cologne (with Torsten Kerl & Waltraud Meier) 3/26/16 Wintery Romantics +2CDs Gorecki's 3rd Symphony (Zinman) and Khachaturian's Ballet Suites (Simonov) 3/26/16 Wintery Romantics +3CDs Lyapunov, Paderewski, Moszkowski's Piano C.tos; Moszkowski, Karlowicz's Violin C.tos 3/26/16 Wintery Romantics +2CDs Borodin's Symphonies by V. Gergiev (Rotterdam, 1990) and M. Ermler (Moscow, 2000) 3/26/16 Wintery Romantics +1CD Borodin's String Quartets Nos. 1 & 2 by the Borodin Quartet (1966) 3/25/16 Hindemith +2CDs Bernstein's and Eschenbach's recordings of Orchestral Works (with Midori for the Violin C.to) 3/25/16 Debussy #1 +1CD Montserrat Caballé for La damoiselle élue (and Chausson's Poème), Wyn Morris conducting. 3/25/16 Second Viennese School Ess.ls #3 +2CD Berg's Violin C.to (van Keulen) + Orchestral Works (M. Venzago, cond.) 3/25/16 Second Viennese School Ess.ls #3 +1CD Berg's Kammerkonzert conducted by Hindemith (1959) 3/24/16 A Weimar Rhapsody +1CD Krenek's Quartets Nos. 1 & 7 by the Petersen String Quartet (2003) 3/24/16 Strauss Operas #2 +2DVDs Abbado's (1989) and Böhm's (1981) Elektra in Vienna 3/24/16 In the Name of Music +4CDs Wolf's Lieder Bär & Fischer-Dieskau + Italienisches Liederbuch (Cotrubas/Allen & Oelze/Blochwitz) 3/24/16 In the Name of Music +1CD Pfitzner's Lieder selection with J. Kaufmann, C. Prégardien & A. Schmidt (1997) 3/24/16 In the Name of Music +2CDs Mendelssohn's Symphony No. 2 'Lobgesang' by Abbado (1985) and Chailly (2005) 3/24/16 Wagner Romantic Masterpieces +1DVD James Levine's celebrated Lohengrin at the Met 1986. 3/24/16 Strauss #4 +1CD Don Quixote in Pierre Fournier's classic Szell/1960 recording in Cleveland (a rip by Sasha) 3/18/16 Schubert #2 +1CD Symphony No. 3 by Ilan Volkov (+ Haydn's Symphony No. 46 & Mendelssohn's Melusine) 3/18/16 Schumann +1CD Brigitte Engerer's late studio recording (2003), including Mendelssohn, Chopin and Liszt. 3/18/16 Schumann +2CDs Concerto (+Grieg's) by Kovacevich & C. Davis (1971); Symphonic Etudes by Brendel (1990) 3/18/16 Schubert #3 +1CD New Rip and original scans of Winterreise by Hampson and Sawallisch (1997) 3/17/16 Poulenc +2CDs Sonatas by Pascal Rogé & Friends & Gloria by Andrew Davis (+ Stravinsky's Psalms Symphony) 3/17/16 Strauss #4 +1CD Pfitzner and Strauss Orchestral music from Operas, with Thielemann at the Berlin Deutschen Oper 3/16/16 Wintery Romantics +2CDs Grieg's Lyric Pieces (Andsnes, 2001) and 3 Violin Sonatas (Amoyal & Chiu, 1999) 3/16/16 The long Goodbye +1CD Beethoven's 9th Symphony in Karajan's classic London recording (1955) (a rip by Sasha) 3/15/16 Liszt +1CD Piano Sonata (+Scriabin's 2nd Sonata) by Ivo Pogorelich (1992) 3/15/16 Musique Française #1 +1CD Saint-Saëns' Symphony No. 3 with Peter Maag and Daniel Chorzempa (1986) 3/15/16 Mahler Lieder +1CD Des Knaben Wunderhorn by Charles Mackerras (with A. Murray and T. Allen) (1990) 3/15/16 Summer Nights #1 +1CD Korngold's Lieder by Steven Kimbrough and Dalton Baldwin (1984) 3/15/16 Mahler 9 +1CD Myung-Whun Chung and the Seoul Philharmonic Orchestra 3/14/16 Musique Française #1 +1CD Dutilleux's Correspondance and 'Tout un monde lontain...' with Salonen (2011) 3/14/16 Second Viennese School Ess.ls #3 +1CD Boulez's rec.of Schoenberg's Suite Op. 29 & Op. 4 in the Sextet version 3/13/16 Strauss #4 +1CD Lieder with Soile Isokoski and Marita Viitasalo (the studio recording on Ondine) 3/12/16 American Classics +1CD Vernon Duke's Violin Concerto and Sonata by Elmira Darvarova and Scott Dunn 3/12/16 Shostakovich #1 +1BONUS Symphony No. 4: Jukka-Pekka Saraste & the Orchestra Sinfonica della RAI (2004) 3/12/16 Strauss Operas #2 +1DVD Der Rosenkavalier: Franz Welser-Möst's production in Zürich (2004) 3/11/16 Summer Nights #10 +1CD Keith Emerson's Piano Concerto in Emerson's recording from 1977 (J. Mayer, LPO) 3/11/16 Bartok's Voices #5 +1CD Georg Solti's Hungarian Connections, works by Bartok, Weiner, Kodaly, Liszt (1993) 3/11/16 Strauss Great Operas #1 +1CD set Kurt Masur's Ariadne auf Naxos in Dresden (1988) 3/11/16 Strauss Great Operas #1 +1DVD James Levine's Ariadne auf Naxos in New York (1988) 3/11/16 Strauss Great Operas #1 +1CD set with James Levine's Ariadne auf Naxos in Vienna (1987) 3/11/16 Musique Française #2 +1CD Milhaud's orchestral music and Harp Concerto (F. Cambreling) with Kent Nagano 3/11/16 Musique Française #1 +1CD Dukas' complete piano music by Laurent Wagschal (2013) 3/10/16 Remembering Harnoncourt's early recordings: +1CD Music at the Court of Mannheim 3/10/16 Menotti's The Medium +1DVD the 1977 classic video recording with Maureen Forrester as Madame Flora 3/10/16 Gershwin +1DVD Simon Rattle's Porgy & Bess (Glyndebourne 1993) 3/10/16 Debussy #6 +1CD Transcriptions for 2 Pianos of Jeux + Stravinsky's Sacre & Bartok's Portraits by Bavouzet & Guy 3/10/16 Debussy #6 +1CD Violin Sonata (+ Pierné's and Fauré's 1st) by C. Giovaninetti & I. Aoyagi (2013) 3/10/16 Debussy #6 Violin Sonata (+ Brahms' 2nd & Schubert's 1st Sonatina) Simone Bernardini & Vanessa Benelli-Mosell 3/10/16 Debussy #3 +1CD Printemps, La boite à joujoux, Children's Corner with Dutoit in Montréal (1994) 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Wozzeck in 1987 Claudio Abbado's production in Vienna 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 2002 Franz Welser-Möst's production in Zürich 3/10/16 Second Viennese School Ess.ls #8 +1DVD Berg's Lulu in 1996 Andrew Davis' production in Glyndebourne 3/9/16 Bartok #5 +1CD Concerto for Orchestra with the Purcell School Orchestra conducted by Lionel Friend (1997) 3/9/15 Malcolm Arnold Symphonies - new links added 3/9/16 Summer Nights #3 +1CD Wagner scenes with tenor William Lewis and conductor Gabor Ötvös 3/4/16 Weill +1CD set 'Street Scene' in John Mauceri's 1990 classic recording for Decca 3/4/16 Strauss Operas #1 +1DVD Levine's Elektra (1980, B. Nilsson, L. Rysanek, M. Dunn, D. McIntyre, R. Nagy) 3/4/16 Stravinsky #1 +1DVD Ozawa's Oedipus Rex (1993), directed by Julie Taymor (P. Langridge, J. Norman, B. Terfel) 3/2/16 Ein Bach... +1CD Catalan keyboardist Miquel Villalba's splendid recording of the Goldberg Variations 3/2/16 Ein Bach... +1CD Glenn Gould's must-have 1981 recording of the Goldberg Variations for CBS 3/2/16 Ein Bach... +1CD Angela Hewitt's rare early Canadian recording of Concertos BWV 1052-3-6 with M. Bernardi 3/2/16 Ein Bach... +7CDs Murray Perahia's Concertos, English Suites, Partitas and Goldberg Variations for Sony 3/2/16 Ein Bach... +1CD set: Anner Bylsma's classic recording of the Cello Suites (1991) 2/21/16 Spanish School #2 +1CD Ginastera's Estancia Suite & Harp Concerto (Barrera) under Josep Pons (2003) 2/21/16 Wintery Romantics +1CD Magdalena Kozena's recording of Martinu, Dvorak & Janacek's Love Songs (2000) 2/21/16 Wintery Romantics +1CD Clifford Curzon and Vienna Philh. Quartet for Dvorak and Franck's Piano Quintets 2/11/16 Contrappunti Italiani +1 Bonus File: Vanessa Benelli Mosell for Busoni's Chopin Variatons (2006) 2/6/16 Musique Française #3 +1CD Fischer-Dieskau's historic 1975 recording of Ravel, Poulenc and Fauré's songs 2/6/16 Wintery Romantics +1DDL Sibelius and Goldmark, Violin Concertos by Bell and Salonen (2000) 2/6/16 Wintery Romantics +1DDL Sibelius, Symphony No. 2 by Salonen and the LA Philh. (2007) 2/5/16 Shostakovich #1 +1CD Jansons's recrding of Symphonies Nos. 2 & 12 in Munich (2005) 2/5/16 Shostakovich #1 +2CDs New rips for Jansons's Symphonies Nos. 3 + 14 & 13 on EMI 2/4/16 Ein Bach... +1CD set Goldberg-Variationen in Tessa Uys's rare recording for Claremont (2000) 2/4/16 Intense Bruckner +1DVD Audio Rip: Sinopoli's 4th Symphony in Tokyo with the Philharmonia Orchestra (1988) 2/4/16 Musique Française #2 +1CD Franck & Debussy by Kenneth Weir (+ Rachmaninov's Chopin Variations) (2001) 2/4/16 Debussy #3 +1CD Images and Nocturnes with Dutoit in Montréal (1988) 2/4/16 Debussy #4 +1CD Etudes & Estampes by Véronique Pélisséro (1991) 2/4/16 American Classics +1CD Leroy Anderson's Favourite Orchestral Pieces conducted by Leonard Slatkin (1993) 1/28/16 Recorder music #1 New rips and links 1/27/16 Musique Française #1 +1LP Franck's Piano Quintet and Prélude, Choral et Fugue by J-P. Collard and Muir SQ 1/27/16 Debussy #6 +1LP String Quartet (+ Ravel's), by the Alban Berg Quartett on EMI (1984) 1/27/16 Summer Nights #4 +1LP Roger Woodward's recording of Beethoven's Op. 111 & Op. 57 for RCA (1973) 1/24/16 Opera Favourites #2 +1CD set Levine's Manon Lescaut (Decca, 1993)  1/21/16 Opera Favourites #1 +1CD set Karajan's 1982 recording of Carmen for DGG 1/18/16 Ein Bach... +1CD set Johannes-Passion in Harnoncourt's classic recording for Teldec (1993) 1/17/16 Ein Bach... +1CD set The Cello Suites in Rostropovich's classic 1991 EMI recording 1/16/16 Debussy #2 +1DDL Songs (including Chansons de Bilitis) + Ravel and Chausson by DeGaetani & Kalish (1979) 1/15/16 Musique Française #3 +1CD Ravel's Gaspard de la nuit (+ Elliott Carter's piano works) by Pierre-Laurent Aimard 1/14/16 Shostakovich #2 +1CD set Preludes and Fugues Op. 87 (+Bach from WTC Book 1) selections: Mustonen 1/14/16 Bartok's Voices #5 Additional links for 5CD-box Dorati conducts Bartok (Mercury Living Presence) 1/13/16 Summer Nights #10 +1CD Elgar & Walton's Violin Sonatas by Daniel Hope & Simon Mulligan (2000) 1/12/16 Summer Nights #2 +1CD Reger's Mozart Variations (Salonen) & Romantic Suite (Zagrosek) in Baden-Baden 1/11/16 Summer Nights #5 +5CDs Vivaldi by Onofri & Antonini, Harnoncourt, Hogwood, Petri, Kermes & Marcon 1/8/16 Debussy #5 +1CD Alice Ader's recording of Préludes 1 & Jeux (2002) (previously posted in Feb. 2012) 1/7/16 Opera Favourites #2 +1CD set Puccini's Turandot in Molinari-Pradelli's 1965 recording in Rome 1/7/16 Opera Favourites #2 +1CD set Puccini's Fanciulla del West in Lorin Maazel's 1991 recording in Milan 1/6/16 Debussy #5 +1CD Préludes by Pascal Rogé (2004 recording) 1/5/16 Debussy #4 +1CD set The Piano Music in Daniel Ericourt's rare recording (1962) (a rip by DanseDePuck) 1/5/16 Debussy #5 +1CD set Préludes, Images and Estampes by Claudio Arrau (1981) (a rip by OdeonMusico) 1/5/16 Opera Favourites #2 +2CD sets Puccini: Maazel's Manon Lescaut (1992) & Chailly's La Bohème (1992) 1/5/16 Wintery Romantics +1CD Maazel's Mussorgsky: Pictures and Night in Cleveland for Telarc (1978) 1/3/16 Summer Nights #4 +1CD Beethoven's 9th Symphony by Donald Runnicles in Atlanta (2003) 1/2/16 Strauss Oktoberfest #3 +1CD Vier letzte and Lieder Selection with Soile Isokoski & Marek Janowski (2002) 1/2/16 Strauss Great Operas #2 +1CD set Der Rosenkavalier by Andrew Davis (1995) 12/31/15 Orlando di Lasso: +1CD Moduli Quinis Vocibus, Herreweghe, with extra links (bzzz) 12/29/15 Opera Favourites #2 +1CD Puccini's Suor Angelica by Bartoletti in Rome (1973) (a rip by Juan) 12/23/15 Hindemith +1CD performs his Piano Duet Sonata, 3rd Violin Sonata, Der Schwanendreher (a rip by bzzz) 12/22/15 Debussy #5 +1CD the Préludes by Philippe Bianconi (2012) 12/22/15 Summer Nights #10 +1CD Elgar's Cello Concerto & Enigma Vars. by J. Lloyd Webber & Menuhin (1985) 12/22/15 Ein Bach... +1CD Cantatas BWV 140 & 147 with John E. Gardiner (1990) 12/16/15 Summer Nights #10 +1CD Walton's 2nd Sym., Hindemith Variations and Partita (G. Szell 1959) (a rip by Sasha) 12/16/15 Summer Nights #10 +1CD Carols from Trinity College, Cambridge, conducted by Richard Marlow (1988) 12/16/15 English Baroque Music: New links 12/14/15 Mahler 2 +1CD V. Neumann's recording for Supraphon Fidelio in 1980 12/14/15 Liszt +1CD Gyula Kiss' recording of the 2 Piano Concertos and Totentanz (1976) 12/13/15 O Tuneful Voice (Bronze Series) Added new link with tracks Nos.20-22 repaired using CueTools. 12/13/15 American Classics +1CD Rozsa, Gould and Menotti Orchestral Music by David Amos and the LSO (1990) 12/13/15 Rachmaninov #2 +1CD 2nd Concerto by Cécile Ousset & Simon Rattle (+Grieg's Concerto with Marriner) 12/9/15 Debussy #5 +4CDs Préludes Book 1 (or both) by S.D. Lasry, M. Pollini, O. Maisenberg, Y. Egorov. 12/9/15 Debussy #5 +2CDs Selected Works by M. Lympany and R. O'Hora 12/9/15 Musique Française #1 +1HQ DDL Frank Martin's Mass for Double Choir with Robert Shaw (1994) 12/8/15 Spanish School #2 +1HQ DDL Villa-Lobos' Etudes and Preludes for Guitar with Alvaro Pierri 12/8/15 Spanish School #2 +1HQ DDL S. Isbin with the NYP and J. Serebrier for Rodrigo, Villa-Lobos and Ponce 12/8/15 Spanish School #2 +1CD Falla's Popular Songs by Ann Murray + Ginastera's Estancia (Harth-Bedoya cond.) 12/7/15 Summer Nights #10 +4CDs Holst's The Planets by Yoel Levi, Zubin Mehta, Eugene Ormandy, André Previn. 12/7/15 Debussy #6 +1LP String Quartet (+ Ravel's) by the Quatuor Parrenin on EMI (1970) 12/7/15 Summer Nights #5 +2CDs Handel's Organ Concertos (A. Frigé) and Selected Secular Cantatas (J. Baird) 12/7/15 Composer Alexandre Guilmant: new links 12/5/15 Debussy #4 +1CD box The Piano Music (including a MUST-HAVE recording of the Etudes) by Albert Ferber 12/5/15 Debussy #4 +4CDs The Etudes recordings by Jean-Pierre Armengaud, Monique Haas, Roland Krüger, Ju-Ying Song 12/5/15 Strauss Great Operas #2 +1CD box Edo de Waart's 1976 Der Rosenkavalier in Rotterdam 12/4/15 Summer Nights #10 +3CDs Grainger by Gardiner, Howell's Hymnus paradisi, Elgar by du Pré & Barenboim 12/4/15 Summer Nights #4 +6CDs Beethoven by Rostropovich/Richter, Serkin/Ozawa, Buchbinder, Gieseking, Maazel 12/3/15 Second Viennese School Ess.ls #4 +1LP Schoenberg's Erwartung by Susan Davenny-Wyner (+ Wolpe's Symphony) 12/2/15 Wintery Romantics +1CD Alexander Ardakov's recording of selected Piano works by Glinka, Scriabin, Chopin 12/1/15 Opera Favourites #1 +2CDs Humperdinck's Hansel & Gretel recorded by Donald Runnicles in Munich (1994) 12/1/15 Musique Française #3 +1CD Ravel's Gaspard and Tombeau in Charles Rosen 1959 recording for Epic 12/1/15 Darmstadt #3 +1CD Charles Rosen recording of Boulez 1st Sonata and excerpts from 3rd Sonata (1972) 11/27/15 Summer Nights #9 +1CD Brahms' Deutsches Requiem/Levine (a rip by Juan) + Selected Lieder from original LP 11/24/15 Musique Française #2 +1LP Ravel' for 2 Pianos and Piano Duet with Maria Tipo & Alessandro Specchi (1979) 11/24/15 Prokofiev #2 +1LP Tedd Joselson's rare recording of Sonatas Nos. 2 & 8 (RCA, 1976) 11/23/15 The Odd Couple +3CDs Mozart's Violin Concertos (Kavakos & Camerata S.) + "Gran Partita" by I Fiati di Parma 11/23/15 The Odd Couple +2CDs Mozart's K. 467& 595 (R. Serkin/Abbado) + 488 & 537 (F. Gulda/Harnoncourt) 11/20/15 Summer Nights #6 +1CD Rameau's Grands motets in Hervé Niquet's 1992 recording 11/18/15 Schoenberg Piano Music +1LP the rare 1970 J. von Vintschger recording for Turnabout Vox 11/18/15 Debussy #5 +1CD Debussy, Ravel, Stravinsky for Piano Duet with Moneta & Rota Piano Duo (1990) 11/18/15 Debussy #5 +1CD Debussy & Ravel's Music for 2 Pianos and Piano Duet by Collard & Béroff (1982) 11/18/15 Debussy #6 +2CDs Debussy & Ravel's chamber works and Songs with chamber ensemble by the Nash Ens. 11/18/15 Debussy #3 +8CDs Orchestral works with Boulez, Lombard, Salonen, Volkov, Krivine, Rattle, F. de Burgos 11/17/15 Summer Nights #5 +1CD Couperin's Livre de Clavecin (6th, 8th, 18th Ordres) by Angela Hewitt (2002) 11/17/15 Ein Bach... +3CDs Tureck in St. Petersburg + Anderszewski Partitas 1,3,6 + Baroque music for Oboe and Organ 11/15/15 Summer Nights #7 +2CDs Brahms' Piano Concertos by M. Tirimo and the LPO (K. Sanderling & Y. Levi) 11/15/15 Strauss Oktoberfest #2 +1CD Zarathustra (Skrowaczewski) + Symphonia Domestica (Seaman) (NYO of GB) 11/12/15 Summer Nights #8 +1CD Brahms's Serenades in Haitink's classic Philips recording (1981) 11/12/15 Stravinsky #2 +1CD Gatti's 2011 recording with the ONF: Sacre and Petrushka 11/12/15 Stravinsky #2 +1CD Chamber Orchestra Works by the Endymion Ensemble under J. Whitfield (1987). Rare. 11/12/15 Stravinsky #2 +1CD Boulez's 1975 classic Firebird recording with the New York Philharmonic 11/12/15 Stravinsky #2 +2CD Sacre, Firebird, Petrushka & Pulcinella by Yakov Kreizberg and the Monte-Carlo Philh. 11/12/15 Stravinsky #2 +1CD Rattle and the National Youth Orchestra of GB (Sacre) + Dorati and the RPO (Firebird) 11/11/15 Prokofiev #2 +1CD Peter & the Wolf by M. Harth-Bedoya in Fort Worth + Saint-Saens' Carnaval des animaux 11/10/15 Locatelli - Complete Flute Sonatas: New links 11/10/15 Wintery Romantics +1CD Dvorak's Cello Concerto & Tchaikovsky's Rococo with Rostropovich & Karajan 11/10/15 Mahler Lieder +1CD Y. Minton and P. Boulez for Rückert Lieder + Wagner's Wesendonck (1979) 11/10/15 Hindemith +1CD Quartet with Clarinet and Piano with E.Brunner etc. (1999) (a rip by bzzz) 11/10/15 Summer Nights #7 +2LPs Brahms' Ballades Op. 10 by E. Gilels and by W. Kempff 11/9/15 Schumann +1LP Mehta's recording of the 3rd Symphony with the Vienna Philharmonic (Decca 1983) 11/9/15 Summer Nights #8 +1LP Mehta's Brahms's 1st Symphony with the Vienna Philharmonic (a transfer by Enrico B) 11/9/15 Rachmaninov #2 +1CD Leon McCawley's recording of the 3rd Concerto with Charles Groves conducting (1990) 11/9/15 Intense Bruckner +1CD Muti's 4th with the Berlin Philharmonic (1985) 11/9/15 Second Viennese School Ess.ls #1 +1 Bonus: Schoenberg's Phantasy Op. 47 by Irvine Arditti & Noriko Kawai 11/8/15 Poulenc +1LP & 1CD L'Histoire de Babar, with R. Gérôme & J. Février and with J. Moreau & J-M. Luisada 11/8/15 Second Viennese School Ess.ls #3 + 1LP Schoenberg's Chamber Works by de Leeuw (1986) 11/7/15 Second Viennese School Ess.ls #3 +1Double LP: Schoenberg's Complete Chamber Choir Works by de Leeuw 11/6/15 Second Viennese School Ess.ls #6 +1CD Dorow & de Leeuw: Webern's complete Soprano and Chamber Orchestra 11/6/15 Second Viennese School Ess.ls #6 +1LP Dorow & de Leeuw for Webern, Dallapiccola, Schoenberg & Stravinsky 11/4/15 Sgorby Rips #1 +1CD Sammartini's Quintetti e Quartetti by Ensemble Aglàia (2007) (a rip by Davide) 10/29/15 Dutch Organists #Part2: New links 10/27/15 Essential American Classics +1LP Wolpe, Lieberson, Stravinsky: piano works Peter Serkin (1985) 10/27/15 Second Viennese School Ess.ls #3 +1LP Serenade Op. 24, Boulez's classic recording of 1963 for Wergo. 10/27/15 Schoenberg Piano Music +1CD Paul Jacobs' legendary Nonesuch recording (1975) (a rip by BZ) 10/27/15 Mendelssohn Chamber Music: New links 10/25/15 Mendelssohn New links 10/24/15 Hindemith +1CD 4 Violin Sonatas with Oleg Kagan & Sviatoslav Richter (1978) (a rip by bzzz) 10/23/15 Glories of the Italian Piano School +1CD Domenico Nordio & Giorgia Tomassi (Beethoven & Pärt) 10/23/15 Glories of the Italian Piano School +1CD Geza Hosszu-Legocki & Giorgia Tomassi (Franck & Beethoven) 10/23/15 Glories of the Italian Piano School +1CD Giorgia Tomassi's unreleased recording of Chopin's Préludes (1997) 10/23/15 Rachmaninov #2 +1CD Glemser's recording of 2nd and 3rd Concertos under Wit (1996) (a rip by Lupo2004) 10/22/15 Summer Nights #7 +1CD Brahms's Violin Sonatas by Cristopher White and Melanie Reinhard (1999) 10/21/15 Rare Grooves #1 +3LPs Böhm's Eroica; Argerich's Bach and Muti's Verdi (4 Pezzi Sacri) 10/21/15 Dutch Organists #1 New links 10/20/15 Rare Grooves #2 +1LP Debussy Images, Faune and La mer by Paul Paray and the Detroit SO (1957) 10/19/15 Glories of the Italian Piano School +1CD Ciani & Gavazzeni for Mozart's K. 466 & K. 491 (1970/1973) 10/19/15 Rachmaninov #2 +1CD Noriko Ogawa's recording of 2nd and 3rd Concertos in Malmö under Hughes (1997) 10/16/15 Darmstadt #5 +3LPs Xenakis's Choral and Orchestral works with Constant and Tabachnik (a rip by Sotise) 10/16/15 Darmstadt #5 +1LP Rare album with Levinas's Orchestral Works ripped by friend Sotise (Adès MFA 1985) 10/15/15 American Classics +1CD Bernstein's Dybbuk (Complete Ballet), first recording (1974) 10/15/15 Wintery Romantics +1CD: Rimsky-Korsakov's Scheherazade by John Mauceri and the LSO (1987) 10/1/15 Glories of the Italian Piano School +1DDL: Tomassi with Accardo for Beethoven's 'Kreutzer' & 'Spring' (2004) 10/1/15 Glories of the Italian Piano School + 1 Bonus: Dino Ciani plays Brahms's 1st Piano Concerto (Turin, 1969) 10/1/15 Messiaen +1LP: Paul Jacobs' rare recording of the Quatre études de rythme + Busoni, Stravinsky, Bartók (1976) 9/29/15 Strauss Great Operas #2 +2CD sets: Der Rosenkavalier. Karajan's (1956) and Bernstein's (1971) recordings 9/29/15 Strauss Great Operas #2 +1CD set: Die ägyptische Helena conducted by Gérard Korsten in Cagliari (2001) 9/27/15 Rare Grooves #2 +1LP Rimsky-Korsakov's Russian Easter etc. with Ernest Ansermet (1958) (a rip by Enrico B) 9/26/15 Mahler 3 +1CD set: V. Neumann's great Prague early digital recording for Supraphon (1981) 9/26/15 Mahler Lieder +1CD Christianne Stotijn's Rückert and Selected Lieder + Brahms Alto Rhapsody (2006) 9/25/15 Second Viennese School Ess'ls #2 +1CD Berg's Kammerkonzert by the Baton Rouge Chamber Players 9/25/15 Messiaen +1CD Cinq rechant by the BBC Singers/S. Cleobury (+ Choral works by Villette, Poulenc, Caplet) 9/25/15 In the Name of Music +1CD Mendelssohn's 2nd Symphony ('Lobgesang') by Richard Hickox (2002) 9/24/15 Mahler Das Lied von der Erde +1CD, Donald Runnicles (2008) 9/24/15 Strauss Oktoberfest #2 +2CDs The Piano Music by Stefan Vladar & The Piano Trios by Odeon Trio 9/24/15 Strauss Oktoberfest #3 +2CDs Alpensinfonie: Masur & ONF (2007) and M. Jansons & BBC Welsh (1991) 9/22/15 Schoenberg Piano Music +2CDs Roland Pöntinen's & Madalena Soveral's fabulous complete recordings 9/22/15 Schoenberg Piano Music +1CD, Claude Helffer's classic recording for HM (1969) (a rip by John F) 9/22/15 Schoenberg Operas +1CD set, Georg Solti's reference recording of Moses und Aron in Chicago 1985 for Decca 9/21/15 Messiaen +1CD, Cinq Rechants + Stockhausen's Choruses for Doris and Xenakis choral works (Chandos, 1998)9/21/15 Messiaen +1DDL, Fête Des Belles Eaux by the Sextet of Ondes Martenot of Montréal (ATMA 2008) 9/18/15 Summer Nights #1 +1 Bonus: Martinu, Krasa and Schulhoff conducted by Christopher Hogwood (Milan, 2003) 9/18/15 Hindemith +1Bonus: Hindemith in Italy, conducting his music plus Brahms's, Webern's and Blacher's at RAI 9/18/15 Hindemith +1CD Violist A. Tamestit & P. Järvi beautiful CD (also including pianist M. Hadulla) (2012) 9/18/15 Summer Nights #10 +1CD set, Lloyd Webber's rock opera masterpiece Jesus Christ Superstar (London cast 1996) 9/18/15 Weill +1CD Dessau's Symphony No. 2, In memoriam Brecht, Les voix etc. by Roger Epple on Capriccio (2009) 9/18/15 Rare Grooves +1LP Liszt & Wagner Preludes with Mehta & the WP (1967) (a stunning LP transfer by Enrico B) 9/17/15 Prokofiev #2 +1CD Boris Giltburg's recording of the War Sonatas (6th, 7th and 8th) (2012) 9/16/15 Poulenc +1CD Chamber Music with Woodwinds and Piano Duet Sonata by the Ensemble Petra (1999) 9/16/15 Darmstadt #2 +1CD Carter's Sonata (+ Bartók's and Dutilleux's) by Claire-Marie Le Guay on Accord (2000) 9/15/15 Darmstadt #2 +2CDs Including a new rip of Maderna's Oboe Concertos by Holliger & Bertini (1993) 9/14/15 Darmstadt #2 +2 Bonus: Donatoni's Le ruisseau (Brunello); Maderna Grande Aulodia + Nono's A Carlo Scarpa 9/14/15 American Classics +2CDs Herrmann & Diamond Chamber M. + Donald Fagen's milestone album The Nightfly 9/14/15 Schumann +1CD: Fischer-Dieskau's reference recording of Dichterliebe, Myrten and Liederk. Op. 39 (1979) 9/14/15 American Classics +1CD: Ives's "Concord" Sonata by Aimard and Songs by Graham on Warner (2004) 9/14/15 Darmstadt #2 +1CD Maderna's 3 Oboe Concertos by Fabian Menzel and Michael Stern on Col Legno (1996) 9/13/15 Darmstadt #4 +1CD Carter's one act opera "What Next?" in Péter Eötvös's première recording for ECM 9/11/15 Debussy #1 +1CD Thierry Fischer's recording of Le martyre de Saint Sébastien (BBC MM, 2011) 9/11/15 Debussy #5 +2CDs Benedetti Michelangeli's historic recordings of the Préludes for DG (1978 & 1988) 9/11/15 Debussy #4 +1CD Charles Rosen's reference (and first ever) recording of the Etudes (1955) 9/11/15 Summer Nights #12 +1LP Grumiaux and Haitink for Bruch 1st Violin Concerto (a transfer by Enrico B) 8/4/15 Schubert on Modern Instruments: new links for Oktett in D, by Cherubini Quartett 8/4/15 Schubert on Modern Instruments: new links for Richard Goode 8/3/15 Rare Grooves#1 +6 LPs mostly Enrico B's outstanding transfers of great out-of-print material 8/2/15 Intense Bruckner +9CDs with classic recordings by Solti, Chailly, Abbado, Wand, Karajan, Harnoncourt 7/25/15 Buxtehude & Pachelbel Organ Works - New links 7/18/15 Darmstadt #3 +1CD Pollini's classic DGG recording of Boulez's 2nd Piano Sonata (1978) 7/17/15 American Classics +1CD (NEW RIP) Lieberson's Neruda Songs with Hunt Lieberson & Levine (BSO) 7/16/15 Tristan und Isolde +1CD box, Georg Solti's classic recording (1960) (a rip by Cecco) 7/16/15 Selig im Glauben (Parsifal) +1CD box, Georg Solti's classic recording (1972) (a rip by Cecco) 7/15/15 Strauss Operas #1 +1CD box, Leinsdorf recording with Caballé, Milnes and the LSO (1968) (a rip by Cecco) 7/14/15 Die Meistersinger +2CD box, Solti 1975 Vienna (a rip by Cecco) and Kempe 1957 Berlin (a rip by A. Zaccaria) 7/13/15 Tristan und Isolde +1CD box, Fritz Reiner's historical London recording (1936) (a rip by Andrea Zaccaria) 7/2/15 Second Viennese School Ess'ls #2 +2DT Berg's Violin Concerto by Carmignola/Inbal & Kavakos/Harding 7/2/15 Second Viennese School Ess'ls #2 +1CD Berg's Violin Concerto's & Kammerkonzert, I. Stern (Bernstein/Abbado) 6/30/15 Darmstadt #3 +1CD Boulez's Piano Sonatas and 12 Notations by Pi-Hsien Chen (2004) 6/30/15 Summer Nights #7 +1DT: J. du Pré with R. Goode and T. Schippers, Brahms & Mendelssohn (live in Spoleto) 6/30/15 Bartok #4 +1CD Violin Concertos by Midori & Mehta (1990) previously only on LP rip (courtesy of Cecco) 6/30/15 Bartok #5 +1CD Concerto for Orchestra & 4 Pieces by Leon Botstein and the London Philharmonic (2000) 6/29/15 Summer Nights #9 +2CDs (incomplete) Franck Symphonie with the Berlin Philh. (Mehta 1995 & Giulini 1986) 6/16/15 German Baroque New link: Fischer Musica Sacra 6/6/15 Bruckner +1CD Ozawa's 7th with the Saito Kinen Orchestra (2004) (Courtesy of Cecco) 5/27/15 Summer Nights #8 +2CD Mehta and the IPO, Brahms' 1st Symphony and Mozart Sinfonia Concertante K.364 5/27/15 Musique Française #2 +1CD Milhaud Piano Concertos + Carnaval d'Aix by C. Helffer and D. Robertson (1992) 5/27/15 Rachmaninov #2 +1CD 3rd Concerto by Jorge Luis Prats and Enrique Bátiz (1989) 5/27/15 Summer Nights #10 +1CD Howell's Music for String & Orchestra, by Richard Hickox (1992) 5/27/15 Wintery Romantics +1LP Tchaikovsky's 2nd Piano Concerto by Magaloff and C. Davis (a rip by Enrico B.) 5/22/15 Second Viennese School Ess'ls #9 +1CD Chamber Concerto by J-F. Heisser (a rip by Ranapipiens) 5/19/15 Hindemith +1CD Trumpet Sonata by Ole E. Antonsen & Wolfgang Sawallisch (EMI, 1996) 5/19/15 Prokofiev #1 +1CD "Romeo & Juliet" excerpts with Kurt Masur and the Gewandhaus Orchestra (1987) 5/19/15 Summer Nights #5 +1CD Wagner Opera Scenes with W. Meier and L. Maazel (1997) 5/19/15 Strauss #1 +1CD Horn Concertos with B. Tuckwell & V.Ashkenazy and the RPO on Decca (1990) 5/19/15 Wintery Romantics +1CD Tchaikovsky, Dukas, Enescu, Mussorgsky showpieces, E. Mata & the Dallas SO (1988) 5/14/15 Schumann +1CD Piano Concerto by R. Serkin/Ormandy 1965, and same from an outstanding LP rip by Enrico B. 5/14/15 Strauss #3 +1CD Zarathustra and Don Juan with Alan Gilbert and the NYP 5/14/15 Musique Française #1 +2CDs completing Eschenbach's Roussel Symphony cycle in Paris on Ondine 5/5/15 Strauss #2 +2CDs A Cappella Choral Works (Danish Radio Choir 1993) & Alpensinfonie by Michalakis (2000) 5/5/15 Contrappunti italiani +1CD Busoni's Piano Concerto with Peter Donohoe & Mark Elder (1988 on EMI) 5/5/15 Second Viennese School Ess'ls #1 +1CD Verklärte Nacht + Metamorphosen & Siegfried-Idyll by Levine (1991) 5/5/15 Debussy #5 +1CD Images I, II & Oubliées + Estampes & Berceuse Heroique by Fou Ts'Ong (1990) 5/5/15 Schumann +1CD String Quartets Op. 41 with the Eroica Quartet (2001) (a rip by Der Wanderer) 5/4/15 Webern +1LP Chamber Music with P.Serkin and the Tashi Ensemble (1983), + Takemitsu's Piano Works 5/4/15 Rare Grooves #2 +1LP: Vivaldi Concertos with Ayo and I Musici (1968) (a rip by Enrico B.) 5/4/15 Prokofiev +1LP Violin Concerto No. 2 (+ Sibelius'): Szeryng & Rozhdestvensky 1965 (a rip by Enrico B.) 5/4/15 Bruckner +1DVD: Sinopoli's 4th with the Philharmonia Orchestra in Tokyo 1988 (NHK Classical DVD) 4/29/15 Telemann +1CD Collegium Musicum '90 - Hickox - Donner Ode 4/17/15 Haydn - Complete Baryton Trios - Esterhazy Ensemble Added working link for dsic 16 and cover image for disc 13 4/17/15 Summer Nights #10 +3CDs Elgar Symphonies (C. Davis 2001), 3rd (P. Daniel) & Serenade (Orpheus CO) 4/16/15 Baroque Music in the Netherlands: New links (Koopman, Huggett, Hazelzet, Mathot, vdMeer) 4/16/15 Summer Nights #4 +1CD Mozart's Divertimenti and Serenata notturna with I Musici (a rip by Enrico B.) 4/16/15 Willem de Fesch: New links 4/15/15 Stravinsky #2: +1LP Symphony in C, Symphonies for Wind, 4 Etudes, Suites (Ansermet. A rip by Enrico B.) 4/15/15 Schubert New links Paul Badura-Skoda, playing Sonata D960 & Klavierstücke 4/15/15 Summer Nights #10 +2CDs Walton's Belshazzar's Feast (Terfel & Litton) and the Symphonies (Ashkenazy) 4/15/15 Summer Nights #10 +1CD Holst's The Planets (Y. P. Tortelier in Manchester) 4/13/15 Sibelius +1CD The NZSO & Inkinen: Scènes historiques and King Christian Suite 4/11/15 Entartete Lieder +1CD Dagmar Krause - Supply & Demand 4/11/15 Schubert: +1CD Quintet in C, by the Arcanto Quartett 4/9/15 Liszt +1CD Symphonic Poems (including Les Préludes) with Zubin Mehta and the Berlin Philh. (1994) 4/9/15 American Classics: 1CD Gershwin Porgy & Bess highlights, American in Paris, Cuban Ov. by Mehta & the NYP 4/9/15 Summer Nights #2: +1CD: Rezniček and Korngold's 1st String Quartets by the F. Schubert Quartett of Vienna 4/9/15 Schubert Essentials #1: +2CDs Works for Piano Duet by Anne Queffélec & Imogen Cooper (Erato, 1978) 4/9/15 Debussy #4: +4CDs The Complete Piano Music by Paul Crossley with one of the finest accounts of the Etudes 4/8/15 Musique Française #1: +1LP Frank Martin's Der Cornet (Rilke), Lipovšek & Zagrosek (1984) 4/8/15 Rare Grooves +1LP Grofé's Grand Canyon and Alfvén's Swedish Rhapsody by Ormandy in Philly (CBS, 1958) 4/8/15 Rare Grooves #2 +1LP Vivaldi, Capuzzi & Paisiello: Concertos with I Musici (Philips 1964. A rip by Enrico B.) 4/7/15 Rare Grooves #2 +1LP: Goldmark's Rustic Wedding Symphony by Jesús López-Cobos (1981) 4/7/15 Rare Grooves #2 +2 LPs: Mendelssohn 3rd (A. Davis), Schoenberg's Verklärte Nacht & Suite in G (Scimone) 4/7/15 Summer Nights #3: +1CD Mendelssohn's 3rd ("Scottish") Symphony + Beethoven's 1st by Osmo Vänskä 4/7/15 Summer Nights #4: +1CD Mozart's 'Jeunhomme' Piano Concerto with McCawley and Leaper (1996) 4/7/15 Wintery Romantics: +1CD Silvestrov's 5th Symphony and Postludium with Lubimov and Roberston (Sony, 1995) 4/7/15 Summer Nights #1: +1CD Glière's 'Ilya Muromets' Symphony by Edward Downes in Manchester (1991) 4/7/15 Summer Nights #1: +1CD Borodin's 3 Symphonies by José Serebrier in Rome (1989) 4/7/15 Second Viennese School Essentials #7: +2CDs Schoenberg's Moses und Aron by Sylvain Cambreling (2012) 4/7/15 Wintery Romantics: +1CD Tchaikovsky Suites (Nutcracker & Swan Lake), Mehta & the Israel Philh. (Decca, 1979) 4/7/15 Summer Nights #7: +1CD Brahms Hungaria

The Boston Musical Intelligencer

February 17

Is Maelzel the Boss?

Commemorating the 2009 premiere of Schuller’s “Where the World Ends” (BMInt montage) Gunther Schuller, who died two years ago at age 89, made his home in Boston ever since 1967, when he arrived to direct the now 150-year-old New England Conservatory of Music. His relationship with the Boston Symphony, which includes commissions and over 100 performances, stretches from 1959. The renowned conductor, orchestra player, and writer, composed abundantly for orchestra in his long career; the BSO had performed his well-known Seven Studies on Themes of Paul Klee (1959) either complete or in part over 30 times before last night. It is a natural idea to associate Klee’s paintings and drawings with music, knowing that Klee himself was trained as a musician and only at maturity gave up the violin for full-time effort as an artist; one could say that in Klee’s visual art, the graphic line is like melody: a unifying element of structure. Schuller’s seven pieces are mostly short and fragmented; the first, “Ancient Harmonies,” is less than two minutes, with chromatically complex wind chords, and the second, “Abstract Trio,” about as long, presents more winds in pointillistic groups of three, concluding with a cadential pizzicato for the strings. “Little Blue Devil” begins with an orchestral shriek, and then, according to the composer’s notes, “is transformed into a kind of jazz piece. A perky, angular theme…is combined with a blues progression.” The blues had a sighing 1940s sound, very appealing, with walking bass beat and trap set, rich low-tessitura harmony, and some wild solo flurries for the vibraphone. “Twittering Machine,” another short piece, began with buzzing bees, a rapid texture of closely-packed seconds in strings and winds, which alternated thereafter with high- and ultra-high-register squeaks and bleats: string harmonics, three piccolos, and piano seemed to carry the day. “Arab Village” the longest of the seven pieces, was marked by intense color and spatiality, including an offstage solo flute and Arab melodies in an extraordinary timbral mix — the warbling melodic unit appeared to be a dissonant unison of solo viola, harp, and three oboes, and something else I couldn’t see or identify. The background of this was a G minor ostinato pulse just like Tchaikovsky’s in The Nutcracker but richer. The flute solo faded in and out of this, with echoes of Griffes’s beloved Poem and Ravel’s Flûte enchantée, and widely-spaced divided strings in lush harmony. “An Eerie Moment” was dominated by brief fortissimo gestures and a sostenuto background with a continuous roll on high timpano (I think). The last piece, “Pastorale,” which in Klee’s original carried a subtitle, “Rhythms,” revealed repeated stepwise oscillations, back and forth and slurred, and fading away. Andris Nelsons directed the whole ensemble with close precision and minimal gestures, and the orchestra’s concentration was complete. Mozart’s Piano Concerto No. 22 in E-flat Major, K. 482, comes geographically between two more popular works in the same genre, No. 21 in C Major, K. 467 “Elvira Madigan,” and No. 23 in A Major, K. 488. K. 482 is like a reincarnation of an early but fully mature concerto, no. 9 in E-flat Major, K. 271 “Jeunehomme”, but with a larger orchestra (flute, clarinets, bassoons, horns, trumpets, timpani, strings, but lacking oboes); both works have slow movements in C minor, and both include a Minuet as a separate section in the middle of the finale. K. 482 is more relaxed, just as K. 271 is more brazen. The slow movement of K. 482 is a variation form of rare beauty, like that of no. 18, K. 456. (The finales of no. 17 in G Major, K. 453, and no. 24 in C Minor, K. 491, are also in variation form.) A perceptible orchestral problem in this work has something to do with the woodwinds: if the passages for two bassoons in unison were played by only one, there would be an improvement. Emanuel Ax was the expert piano soloist. He and conductor didn’t seem to quite match at first; it was a while before his running scale passages achieved the requisite metric clarity; but eventually all was well, as Ax allowed Mozart’s unsurpassed lyricism to emerge full strength. This was especially true in the lovely slow movement. (Psychological programming nexus here: the subdominant coda of Mozart’s Andante [from m. 200 to the end] and the subdominant coda in the Marcia funebre of Beethoven’s Eroica [from m. 223 to the end], both in the same key, have an uncanny feeling.) The finale had plenty of bounce and brightness, and Emanuel Ax’s love for the piece was everywhere evident; according to the program book, he has played it with the BSO “on numerous occasions” with six other conductors. Most histories of music point to Beethoven’s Third Symphony, the Sinfonia eroica, op. 55, as a milestone that marks a point-of-no-return for the evolution of musical art. I think of it in slightly different terms — as a work of such amazing originality that no one could have foreseen its appearance on the horizon, no one could have heard it coming just on the basis of what was already known. There are other such works: Chopin’s B Minor Scherzo, op. 21; Berlioz’s Symphonie fantastique; the Prelude to Tristan und Isolde (Wagner himself wrote at the end of a sketch: “So ward noch nie komponirt!”); Debussy’s Nuages; Stravinsky’s Petrushka. But Beethoven’s Eroica is what made the entire Romantic era, and indeed the whole modern musical world from 1815 to 1914, possible. Paul Henry Láng said it well 76 years ago: “Beethoven himself never again approached this feat of fiery imagination; he wrote other, perhaps greater works, but he never again took such a fling at the universe. Every component is unusual but singularly appropriate for his purpose, which is not the cult of one person but of an ideal, that of heroism itself.” Beethoven’s personally heroic act was also his triumphant affirmation of his destiny over his own despair. Judging from the joyful and witty lyricism of the Second Symphony of 1802, one could not imagine that Beethoven, crippled by advancing deafness, had considered suicide in that same year; just two years later, he launched mankind on its greatest musical adventure, leading the way with the Eroica. The formal features of the Sinfonia eroica are so well known, and so often written about by dozens of major writers, that I hardly need say much about them here. (An excellent recent treatment can be found in Beethoven’s Symphonies: An Artistic Vision, by Lewis Lockwood, published 2015.) Above all, the four movements of the Eroica are an unflagging demonstration of forward motion in time, of assuring that the musical ideas follow correctly and in unbroken succession, whether in rapid tempo (the Scherzo), slow tempo (the Marcia funebre), moderate tempo (the first movement: Allegro con brio), or changing tempi (the Finale). It still startles audiences to realize that the first movement of the Eroica, nearly 700 measures, is almost as long in performance as an entire symphony of Haydn’s or Mozart’s, and its intensity never diminishes, even when it breathes for an instant, as at mm. 154-166 and 551-566. The Marcia funebre, with its triplet drumbeats and reverse-dotted rhythms, is almost as long as the first movement. The Scherzo bursts the bonds of the classical minuet and trio decisively and relentlessly. The Finale, which blends variations with the Sturm und Drang fantasia, is Beethoven’s single most radical adventure in variation form, his most brilliant confrontation with a theme that began as a Contredanse (WoO 14), broadened in his Prometheus ballet (op. 43), expanded further in his Variations for piano, op. 35, and culminated in the last movement of the Eroica. This was the first Eroica I had heard live in some years. The orchestra played brilliantly in all respects. My disagreements are interpretive, and I’m not sure that everybody will follow my lead. First of all, the tempi. This performance, as in so many other recent instances, reveal to me that Beethoven’s own metronome markings, as published, are just wrong. Beethoven’s opening Allegro con brio asks for 60 to the measure. Andris Nelsons’s tempo last night was close to Toscanini’s, in fact slightly slower than 60; most listeners would be convinced that more coherence, and more audibility of detail, would be possible only with a slower tempo, something like Klemperer’s of about 120 to the quarter. But an even more egregious example is the Allegro molto of the Finale, which Beethoven marks at 76 to the 2/4 measure ( = 152 to the quarter), which just doesn’t make sense. Nelsons came close to this, and it sounded really chaotic, indeed much faster than the Presto at the end of the movement, where the M.M. is 116 to the quarter. When the main theme enters at m. 12, a slower tempo than 76 is surely called for; 60 to the measure is more like it. As for the dynamics, the faster tempo tends to push these as well, and many times I felt that the tutti were too loud. E.g., in the Marcia funebre, the crescendo at mm. 96-98, marked f sempre più f should culminate in a solid ff, not fff. Not always, for sure! In the first movement, the crescendo from p to ff in just one measure (m. 185), just as Beethoven demands, was superbly exciting. Then there’s the middle of the Development section, a very famous passage, where Beethoven writes accents with sf 36 times in 32 bars, beginning at a ff level, climaxing with four very dissonant Neapolitan seventh chords which are, ironically, marked only f. Yet all of these contradictory markings don’t, to my mind, represent a challenge for greater force so much as greater restraint. In this performance of the Eroica I was able to get the full impression of Andris Nelsons’s choreographic bent. He throws gestures all over the place, often conducting the accents rather than the measures, where these are at variance, and this can be very important; he turns right and left to face one or the other sections of strings (cellos and basses on the right), sometimes with small precise beat, other times with exaggerated swoops, and sometimes to great effect, not at all (e.g., mm. 527-531 in the first movement); often he rests his left hand on the railing behind him — again, so as to call attention to the conducting arm. Sometimes he bounces on his feet. Nelsons’s big gestures sometimes generate a bigger, louder response from the orchestra than is called for by the music. But I don’t expect everyone to agree with me about this. This expressive Eroica deeply moved even when it was too fast and too loud. Mark DeVoto, musicologist and composer, is an expert in Alban Berg, also Ravel and Debussy. A graduate of Harvard College (1961) and Princeton (PhD, 1967), he has published extensively on these composers and many music subjects, most notably, harmony. The post Is Maelzel the Boss? appeared first on The Boston Musical Intelligencer .



The Well-Tempered Ear

February 14

Classical music: It’s Valentine’s Day. What piece of classical music would you give to your Valentine?

By Jacob Stockinger It’s Valentine’s Day. If you want to celebrate, there is always chocolate or roses or champagne or a special dinner. But there is music too. Many composers come to mind: Johann Sebastian Bach , Antonio Vivaldi, Wolfgang Amadeus Mozart , Ludwig van Beethoven, Franz Schubert, Frederic Chopin , Franz Liszt, Antonin Dvorak , Johannes Brahms, Peter Tchaikovsky , Gabriel Faure , Giacomo Puccini , Claude Debussy, Maurice Ravel, Sergei Prokofiev, and Sergei Rachmaninoff to name a few. But The Ear thinks one of the most beautiful pieces is a short one, a miniature if you will. It is the Romance in F-sharp Major, Op. 28, No. 2, by the Romantic German composer Robert Schumann (below with his wife Clara Wieck Schumann ). Nobody wrote music about love, music filled with love and yearning, better than Schumann. Not only does the piece sound intimate. It IS intimate — with the two thumbs playing the melody a third apart much of the time. It is as if the two thumbs, left and right, are the two lovers. Little wonder that the composer asked his virtuoso pianist-composer wife Clara to play it for him as he lay dying. And to top it off, it is not all that difficult to play, so you could learn it and play it for your Valentine. Here it is, performed in a YouTube video by the late Van Cliburn: But what about you? As radio stations like to say ”The Request Line is open! What piece of classical music – big or small, old or new, hard or easy — would you play or dedicate to your Valentine? Duets of all kinds seem especially appropriate. But so do songs and symphonies, operas and oratorios, and all kinds of chamber music. So tell us about your musical gift for Valentine’s Day. Leave a message in the COMMENT section, with a short explanation and dedicatory comment and perhaps with a YouTube link if possible — the forward it to your Valentine. The Ear wants to hear. Tagged: Arts , Bach , Baroque , Beethoven , Brahms , Cello , Chamber music , Chopin , Clara Schumann , Clara Wieck Schumann , Debussy , duet , duets , duo , Dvorak , Faure , Giacomo Puccini , intimate , Jacob Stockinger , Johann Sebastian Bach , Liszt , Mozart , Music , opera , oratorio , Orchestra , Piano , Puccini , Rachmaninoff , Ravel , Robert Schumann , Romance , Romantic , Schubert , Sergei Prokofiev , Sonata , song , symphony , Tchaikovsky , thumb , United States , University of Wisconsin-Madison School of Music , University of Wisconsin–Madison , Valentine , Valentine's Day , Van Cliburn , Viola , Violin , Vivaldi , vocal music , Wisconsin , Wolfgang Amadeus Mozart , YouTube

Arioso7's Blog

February 13

Run to hear Pianist, Lucas Debargue!

A rising young pianist who placed 4th in the grueling 15th International Tchaikovsky Competition, but earned special RECOGNITION by the Moscow Music Critics Association, scored a unanimous victory on stage at Berkeley’s Hertz Hall. (February 12th, 2017 at 3 p.m.) Without question, the 27-year-old French pianist, Lucas Debargue made an indelible impression on members of a full-house audience that included a diverse community of Classical music lovers. Moscow Conservatory grads, local and international music teachers, piano students, and a stash of pianoforte mavens rose to their feet at the program’s conclusion, applauding for long intervals with interspersed “Bravo’s,” forming a loud choir of approval. It was a visceral response to music-making that rose above the instrument, elevating itself to cosmic proportion. The pianist became a vehicle for the transmission of the composer’s ideals in his nuanced mosaic of impeccably sensitive phrasing that encompassed a diverse palette of tonal expression and colors. In a journey through varied historical periods (Baroque, Romantic, Impressionist and Romantic Expressionist), Debargue’s expressive poetry synchronized beautifully with what belonged to each era. He possessed tonal flexibility; a repository of articulated and seamless legato, and sonorous chords that never slipped into offensively percussive attacks. In summary, he produced beautiful passage work, liquid trills, shimmering glissandi, and a wide dynamic range that served the highest musical ends. It was as if Debargue had carefully crafted various dialects of a common musical language to unify his program. In essence, the pianist’s imagination had free-reign while it respectfully adhered to the composer’s intention in phrase peaks to climax and soulfully rendered resolutions. As one concertgoer put it who stood on a long post-recital reception line: Lucas Debargue became a “co-creator” as he channeled the works of Domenico Scarlatti, Frederic Chopin, Maurice Ravel and Medtner. (The commentator turned out to be a Moscow Conservatory grad, married to a winner of a distinguished Piano Competition.) *** Following the maestro’s remarkable display of virtuosity wedded to pure poetry, I had quickly joined a stream of audience members who had poured into the artist reception area and had immediately shared their unabashed enthusiasm for the performance. Naturally, with a blog in gestation, quickened by my intensified excitement, I broke out the iPhone and filmed the pianist during his reflective moments. At one point he talked about how a composition must “mature” and ripen in the course of YEARS, echoing the inspired words of his beloved Russian teacher, *Rena Shereshevskaia. I was so “overwhelmed” by the whole panorama of events that streamed out of an awe-inspiring concert, that my adult student who’d joined me for the occasion, preserved a safe distance from me– promising to come forth at the right moment to snap of few photos of her teacher in the presence of musical royalty. And so the icing on the cake amounted to a gush of praise that did not falter. Candidly, I confessed that I’d heard Gilels, Richter and Ashkenazy as a child growing up in New York, but that Debargue’s playing by far, had moved me the most. So, Run, Run, Run to hear Lucas Debargue by first checking his website for a list of his scheduled recital appearances. http://www.lucas-debargue.com/ IMPORTANT LINK (From the blog “Slipped Disc”) “The French pianist who caused a sensation at the Tchaikovsky Competition has given his first in-depth interview to Bertrand Boissard, at Parlons Piano. *”Among other topics, he discusses his Russian teacher Rena Shereshevskaia; his two years working at a supermarket till, his preference for learning Prokofiev by ear and his favorite pianists of all time, singling out among French artists the little-known Marcelle Meyer.” Read the full, in-depth interview here. Ismene Brown has generously created an English translation: http://ismeneb.com/blogs-list/2015-other-stories/150724-parlons-piano-with-lucas-debargue.html

Frédéric Chopin
(1810 – 1849)

Frédéric François Chopin (22 February 1810 / 1 March - 17 October 1849) was a Polish composer, virtuoso pianist, and music teacher, of French-Polish parentage. He was one of the great masters of Romantic music. Chopin is also known as "The poet of the Piano". Chopin was born in ?elazowa Wola, a village in the Duchy of Warsaw. A renowned child-prodigy pianist and composer, he grew up in Warsaw and completed his musical education there. Following the Russian suppression of the Polish November 1830 Uprising, Chopin settled in Paris as part of the Polish Great Emigration. He supported himself as a composer and piano teacher, giving few public performances. From 1837 to 1847 he carried on a relationship with the French woman writer George Sand. For most of his life, Chopin suffered from poor health; he died in Paris in 1849 at the age of 39. Most of Chopin's works involve the piano. They are technically demanding but emphasize nuance and expressive depth. Chopin invented the musical form known as the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.



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